All Masterclass articles – Page 5
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Premium ❘ FeatureMasterclass: Augustin Hadelich on Beethoven’s Violin Concerto first movement - part 2
The German–American violinist considers ensemble, character and line in the first movement of this great Classical work, in the second of two articles
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Premium ❘ FeatureMasterclass: Nils Mönkemeyer on Stamitz First Viola Concerto
The German violist looks at how to tackle the challenges in the first movement of this important audition piece with style, panache and calm
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Premium ❘ FeatureMasterclass: Daniel Müller-Schott on Franck Violin Sonata (Cello Version)
The German cellist looks at the importance of connection, colour and line in the work’s third movement
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Premium ❘ FeatureMasterclass: Johannes Moser on Mendelssohn’s Cello Sonata no.2
Johannes Moser takes a look at tempo, dynamics and the relationship between instruments in the exciting and energetic first movement of the D major op.58 Sonata
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Premium ❘ FeatureMasterclass: Rodney Friend on Saint-Saëns Introduction and Rondo Capriccioso
Spanish dance and Heifetz are two of Rodney Friend’s biggest influences in this popular showpiece
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Premium ❘ FeatureMasterclass: Philip Dukes on Mozart Sinfonia Concertante
Idiosyncrasies, ensemble and eloquence help Philip Dukes to bring out the magic of Mozart in the first movement of this much-loved concerto for violin and viola
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