Sentimental Work: Julian Rachlin on Shostakovich’s String Quartet no.8

Julian-Rachlin-3-cred.Ashley-Krassen

For the Lithuanian violinist, the haunting musical language of Shostakovich’s String Quartet no.8 brings back treasured memories of working with Mstislav Rostropovich

I feel like I have a multilayered connection with the music of Shostakovich. I was born in Lithuania when it was part of the Soviet Union, and moved to Vienna with my parents when I was three. I grew up with stories of the Stalin era ringing in my ears, and I can remember how careful we had to be, even on the other side of the Iron Curtain. My nursery school was on the same street as the Russian Embassy and my father instructed me never to speak Russian whenever I was on that street! So I was aware of the suppression that came with growing up under a dictatorship, and no Russian composer was more eloquent in captivating the feelings of angst and hopelessness than Shostakovich…

Already subscribed? Please sign in

Continue reading this article and explore hundreds more…

  • Easy registration

    Sign up to access select Strad content and the option to receive our weekly newsletters

  • Free 7-day subscription

    Full access including all subscriber content and the digital archive

    No strings attached – we won’t ask for card details