All Editorial articles – Page 14
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ReviewCristiano Contadin: Tartini Concertos and Sonatas on the Viol
Tartini in new garb, with mixed results
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ReviewViolinist Charlie Siem: Vaughan Williams and Grieg
Plenty of grit in this unusual sonata programme
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ReviewHomage: Chamber Music from the African Continent and Diaspora
Multicoloured Black chamber music, powerfully expressed
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ReviewPatricia Kopatchinskaja, Camerata Bern: Maria Mater Meretrix
A magnificent voyage of discovery from a musical maverick
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ReviewConcert review: Nobuko Imai (viola) Martijn Willers (piano) et al
Carlos María Solare attends the birthday performance at the Royal Concertgebouw, Amsterdam, on 19 March 2023
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ReviewConcert review: Danish Quartet & Friends: Series of Four
Andrew Mellor reports on a performance from the ‘Series of Four’ concerts, taking place at Copenhagen’s Royal Danish Academy of Music on 19 March 2023
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ReviewConcert review: Isidore Quartet
Leah Hollingsworth reports from the performance by the Banff Competition winners at The New School, New York, on 19 March 2023
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ReviewConcert review: Consone Quartet
Tim Homfray hears the performance of Haydn and Mendelssohn at London’s Wigmore Hall on 12 March 2023
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ReviewConcert review: Steven Isserlis (cello) Jonian Ilias Kadesha, Irène Duval (violins) Eivind Ringstad (viola) Tim Posner (cello) Lucy Shaw (double bass) Maggie Cole (harpsichord)
Tim Homfray visits London’s Wigmore Hall for the performance of Boccherini on 27 March 2023
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ReviewConcert review: Simone Lamsma (violin) Beatrice Rana (piano)
Edward Bhesania visits London’s Wigmore Hall on 27 March 2023 for the performance of Brahms, Prokofiev and Respighi
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ReviewÉbène Quartet, Antoine Tamestit: Mozart
Music-making of exquisite detail creates a powerful emotional impact
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ReviewGil Shaham (violin) London Philharmonic Orchestra/Vladimir Jurowski
Edward Bhesania hears the performance of Hindemith, Mendelssohn, Prokofiev and Ustvolskaya at London’s Royal Festival Hall on 19 April 2023
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ReviewConcert review: Brentano Quartet
Bruce Hodges reports on the performance at the American Philosophical Society, Philadelphia, on 1 March 2023
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ReviewBook review: The Cello Still Sings: A Generational Story of the Holocaust and of the Transformative Power of Music
Janet Banks reviews Janet Horvath’s moving biographical tale of her family, the Holocaust and what happened next
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