All Regulars articles – Page 15
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Premium ❘ FeatureMasterclass: Saint-Saëns Violin Concerto no.3 in B minor, first movement
Violinist Benjamin Beilman explores how to navigate the athletic virtuosity of a work that requires the soloist to have firm technical and musical command
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Premium ❘ Focus‘Always be truthful and loyal to yourself’ - Maximilian Hornung’s life lessons
The German cellist on his varying influences and what it takes to be a musician
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Premium ❘ ArticleAnalysis April 2025: Changes for German freelance tutors
As music schools in Germany react to a government decision on freelance tutors, what are the ramifications for budgets, students and teaching bodies?
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Premium ❘ FeatureMaking Matters: Making instruments with tulipwood
A case of mistaken identity left luthier Sibylle Ruppert with a batch of untested tulipwood – but a few experiments showed its high potential for instrument making
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Premium ❘ FeatureTechnique: Finding the right bass technique for you
Why double bass technique needs to be tailored to the physicality of the individual player
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Premium ❘ FocusOpinion: The importance of repetition in teaching
In the practice of teaching, the value and beauty of repetition must always be encouraged, says violinist and pioneering Suzuki pedagogue Helen Brunner
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Premium ❘ FocusPostcard from Germany: Heidelberg String Quartet Festival
Carlos María Solare joined the loyal audience at Heidelberg’s String Quartet Festival, which celebrated both its 20th anniversary and the upcoming 90th birthday of composer Helmut Lachenmann
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Premium ❘ ArticleProducts April 2025: Digitaize Strings Module
New technology that digitises a violin in real time
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Premium ❘ ArticleProducts April 2025: Negri Vulcano case
A new colourful range from Negri for violin, viola and cello
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Premium ❘ FocusSentimental Work: Fabio Biondi on Berlioz’s Roméo et Juliette
Discovering Berlioz’s Roméo et Juliette was a pivotal moment in the Italian violinist–conductor’s path to understanding the world of 19th-century Romanticism
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Premium ❘ FeatureTrade Secrets: Varnish retouch
A method for layering pigments and shellac to reproduce the exact colour and thickness of an instrument’s varnish
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Premium ❘ Feature‘They never seemed quite to forgive each other’ - From the archive: March 1915
The somewhat irascible Belgian cellist Ernest de Munck, who passed away on 19 January 1915, is remembered by his student Dora Petherick
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Premium ❘ FeatureMaking Matters: Using various technologies for restoration
Luthier Giovanni Lazzaro recalls the extensive restoration of an 1876 cello by Raffaele Fiorini which required the use of a number of different technologies
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Premium ❘ FeatureMasterclass: Schumann Five Pieces in Folk Style op.102, first piece
Cellist Trey Lee shares how a particular painting in London’s National Gallery provided his inspiration for this movement, which can be seen as a metaphor for life
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Premium ❘ FeatureIn Focus: An 1893 violin by Alexander Smillie
David Rattray presents a late 19th-century violin by the Scottish maker
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Premium ❘ FeatureMy Space: Camille Dolibeau’s Amsterdam workshop
The maker presents her workshop in the bustling capital
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Premium ❘ Focus‘You have to feel you’re worthy of standing on stage’ - Julia Fischer’s life lessons
The German violinist on her influences and navigating today’s challenges
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Premium ❘ ArticleAnalysis March 2025: How string music education is continuing in Ukraine
As the Russia–Ukraine war continues, how are string music educators managing to continue their efforts to train the next generation of musicians?
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Premium ❘ FeatureTechnique: Playing in the high register of the cello
Guy Johnston offers tips and exercises to improve playing in the cello’s high register
