Playing – Page 11
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'When someone is healthy inside, it sounds that way' - Mental health services in conservatoires
Rita Fernandes hears from administrators, counsellors and teachers from music schools about what defines a successful conservatoire mental health support system
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Pablo Casals and the Bach Cello Suites: Journey to a masterpiece
To mark the 50th anniversary of the death of Pablo Casals in October 1973, Oskar Falta examines the great Catalan cellist’s ‘rediscovery’ of the Bach Cello Suites, and the continuing legacy of his highly personal approach to the music
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Sentimental Work: Sergej Krylov on Shostakovich’s Violin Concerto no.1
Mstislav Rostropovich had some resonant words of wisdom for the Soviet-born Italian violinist when they worked together on Shostakovich’s Violin Concerto no.1
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Finding the right bow: A marriage made in heaven
A string player can miss out on the full potential of their instrument if they don’t find the perfect bow to go with it. A host of players and bow makers share their experiences with Jacqueline Vanasse and lend advice on the process of searching for the right bow
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Opinion: Flexibility in orchestral playing
Violinist Alexandra Gorski argues that an orchestra’s greatest asset is not power or accuracy; rather the ability to adapt seamlessly to every style of music and manner of conductor
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‘His violin still sings in my ears’ - From the Archive: October 1893
The Strad selects some highlights from the memoirs of violinist Charles Dancla (1817–1907), recently published in Paris
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‘Learning to trust yourself is a never-ending process’ - Nils Mönkemeyer’s life lessons
The German violist on finding his confidence and the journey of becoming a soloist
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Session Report: Johan Dalene on recording Neoclassical 20th-century works
The young Swedish violinist Johan Dalene speaks to Tom Stewart about recording his fourth album, a recital of luminous, Neoclassical 20th-century music for violin and piano
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Postcard from Germany: Kissinger Sommer festival
A stay in northern Bavaria’s spa town of Bad Kissingen for the Kissinger Sommer festival proved to be a balm for the soul for Laurence Vittes
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‘We want to learn everything’ - Leonkoro Quartet
Formed in 2019, the Leonkoro Quartet burst on to the scene with a string of competition wins and now a debut album. The foursome speak to Peter Somerford about what it takes to succeed as a young string quartet today
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‘A stroke of fortune’ - From the Archive: September 1903
In his early life, Franz Joseph Haydn supported himself as a violinist. T. Lamb Phipson gives an account of the composer’s formative years
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Sentimental Work: Eldbjørg Hemsing on Bruch’s Violin Concerto
The Norwegian violinist has fond memories of hearing Bruch’s First Violin Concerto for the first time – and advice for anyone looking to play it themselves in the future
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Session Report: Hilary Hahn on Ysaÿe’s Solo Violin Sonatas
When Hilary Hahn decided to record Ysaÿe’s Six Solo Violin Sonatas for their centenary year, all the stars seemed to align in terms of both timing and fresh musical insights, as she tells Charlotte Gardner
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Postcard from Bangkok: International Viola Congress
Carlos María Solare reports from the 48th International Viola Congress, which took place in the tropical surroundings of Salaya, at the western borders of Thailand’s capital city
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‘Your ideas are never as far apart as they seem’ - Ronald Copes’s life lessons
The Juilliard Quartet second violinist on the joy and value of collaboration in chamber music
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‘Early focus on musicality helps adults thrive’ - Billy Tobenkin on adult learning
Billy Tobenkin on why he believes it is beneficial for adult learners to dive straight into ‘grown-up’ repertoire – offering tips on how to proceed
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Postcard from Japan: Osaka International Chamber Music Competition
The tenth Osaka International Chamber Music Competition and Festa featured a sense of mutual support between the competitors, reports Robert Markow
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‘All it takes is one’ - Violinist Randall Goosby
American violin virtuoso Randall Goosby is deeply committed to passing on his passion for music to the younger generation, as he tells Amanda Holloway
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Opinion: The importance (and difficulty) of playing softly
As string players, we are often encouraged to make a big sound, but cellist Davina Shum believes that the art of playing quietly is an underrated one
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‘I can say with conviction that she can play Bach’ - From the archive: August 1923
Violinist Arthur Broadley, a long-standing contributor, profiles cellist Beatrice Eveline, said to have given the BBC’s first classical music broadcast in 1922