Lutherie – Page 9
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Analysis June 2024: Is ipê an alternative for pernambuco?
With pernambuco in danger of being permanently off limits to bow makers, could another Brazilian hardwood – ipê – be the solution?
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‘She typed the name into Google and emitted a cry of astonishment’ - Letters to the editor: June 2024
A selection of letters The Strad receives each month from its readers around the world: June 2024 issue
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Decorating a bow frog: let the flowers bloom
A very specialist part of the bow maker’s craft is the addition of decorative inlay into a bow frog. Vladimiros Sorokin-Andreou presents his method for this intricate and delicate part of the process
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My Space: Anthony Morton’s Greensboro workshop
Take a peek into the North Carolina atelier
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Focus
8 tips for perfecting your violin varnish
Advice from The Strad Archive on preparing, applying and drying varnish for best results
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Focus
Ask the Experts: protecting your instrument in hot and humid temperatures
Four luthiers and restorers advise a musician on how to care for her instrument during the hot summer months. From August 2014
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News
Harry Mairson to speak online about digitally curating and studying the Italian violin making tradition
The computer science professor and amateur luthier will discuss his ’Digital Amati’ project using digital methods for understanding the structure and interpretation of classical stringed instruments, with digital curation, in a free Zoom talk to be held on 15 May 2024
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In Focus: c.1810–20 bow by Christian Wilhelm Knopf
Matthieu Besseling on a bow by the Knopf dynasty’s patriarch
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A mystery unveiled: the makers of Ferrara
While scholars have scrutinised the making traditions of various Italian cities, the luthiers of Ferrara have been largely neglected – until now. Florian Leonhard presents the results of recent archival research into Alessandro Mezzadri and the Marconcini family, along with notes on their making styles
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Focus
Ask the experts: What should a luthier look for when choosing tonewood?
For a beginner luthier, choosing the perfect spruce and maple for an instrument can be a confusing process. Three experts in wood selection offer some guidelines
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Trade Secrets: An alternative rib construction method
Luthier Alan Beavitt shares an option that can guarantee an accurate overhang at the end of the process
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Blogs
Connecting musicians and makers: the British Violin Making Association’s 2024 Makers’ Day
Tibor Szemmelveisz reports back from the 27th Makers’ Day in February 2024, which cultivated a meeting of minds between luthiers and players in central London
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Blogs
Truly unique: Henrik Frendin on his custom-made electric viola and five-string bass viola
Violist Henrik Frendin shares how his search for the perfect sound palette led him to commission two bespoke instruments by Richard Rolf
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Blogs
Like living beings: how instruments damaged by war and disaster found new life thanks to a luthier’s noblesse oblige
Barbara Khristi writes about the deeds of luthier Phillip Injeian, who helped restore instruments damaged in the Bosnian War, as well as the 2010 Haiti earthquake
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Focus
A Gagliano and a Strad: the violins of Maria Dueñas
Our May 2024 cover star discusses the tools of her trade with Tom Stewart
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Blogs
The pernambuco wood dilemma: a call for global responsibility and unity
Connecting cultural heritage and environmental sustainability, Daniel Neves discusses a proposal to include pernambuco in Appendix I of CITES, a change that would significantly impact the global trade of this essential wood
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Blogs
The Maccaferri-style violin inspired by Django Reinhardt
Luthier Neil Campbell shares how he crafted a violin in the style of the iconic instrument played by the legendary guitarist
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Making Matters: New angles on old designs
Luthier J. Paul Anderson details an unusual commission from New Zealand, which required an innovative varnish ingredient: pumice
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‘I object to the way the old clichés are put out there!’- Letters to the editor: May 2024
A selection of letters The Strad receives each month from its readers around the world: May 2024 issue
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My Space: Elina Kaljunen’s Helsinki workshop
The maker takes us on a tour of her Finnish workshop