Lutherie – Page 8
-
Premium ❘ FeatureMaking Matters: Building a five-string cello
David Folland gives some practical tips, based on his recent experience of building a five-string cello
-
Premium ❘ FeatureZosimo Bergonzi: Family fortunes
Zosimo Bergonzi, son of Carlo, was for a time the only luthier active in Cremona . Michel Samson tracks his career through his known works
-
Premium ❘ Feature21 reasons why your instrument might be buzzing
Finding why an instrument buzzes while playing is a task that bedevils luthiers. Dmitry Tarakanov presents a checklist for the most likely causes
-
Premium ❘ FeatureTrade Secrets: Making an ebony crown
An intricate method for a sometimes vital part of the repair process
-
Premium ❘ FeatureIn Focus: A 1925 violin by Ferdinando Garimberti
Rainer Michael Cocron looks at a violin by one of the modern Milanese school’s most prominent makers
-
Premium ❘ ArticleAnalysis September 2023: Technology and access to fine instruments
Having survived the pandemic, the city of Cremona is embracing new technology in its efforts to bring its violin making heritage to the world
-
Premium ❘ FeatureIn Focus: an 1812 viola by Giuseppe Marconcini
Jonathan Marolle takes a look at a viola from one of the ‘Ferrera school’ makers
-
Premium ❘ Feature‘Players have knocked on my door in a panic’ - My Space: David Segal
The luthier gives an overview of his busy Manhattan workshop
-
Premium ❘ FeatureMaking Matters: Adding primer before varnish
Before varnishing their instruments, most luthiers add a layer of primer. Vlado Tilev looks at the types available, and their effect on sound quality
-
Premium ❘ FeatureIn Focus: a 1759 viola by Petter Hellstedt
Stefan Lindholm examines an instrument by the Swedish maker
-
Premium ❘ FeatureTrade Secrets: A platform for gluing a broken button
A method that takes the guesswork and uncertainty out of this challenging repair job
-
Premium ❘ FeatureDown to the ground: Stradivari’s preparation layers
Giacomo Fiocco presents the results of a study using innovative spectroscopic techniques to examine two of the master’s finest instruments
-
Premium ❘ FeatureIn Focus: A 1947 violin by Frantisek Zivec
Matthieu Besseling on the Bohemian maker’s mid-century instrument
-
Premium ❘ FeatureIn Focus: c.1845-50 violin by Georges Chanot
Roland Baumgartner examines an instrument by one of the most important 19th-century French makers
-
Premium ❘ FeatureFrom the archive: a 1618 Henry Jaye viol
The work of British violin maker Henry Jaye is testament to the unsung tradition of viol making in 17th-century London. John Dilworth examines a strikingly varnished Jaye instrument from 1618
-
Premium ❘ FeatureMarino Capicchioni: A one-of-a-kind luthier
Self-taught and living far away from any centres of lutherie, Marino Capicchioni became famous in his time for the superb quality of his instruments.
-
Premium ❘ FeatureIn Focus: a seven-string bass viol by Michel Colichon
Shem Mackey explores this quirky instrument by the French maker
-
Premium ❘ FeatureIn Focus: an 1844 violin by Thomas Hardie
David Rattray examines an instrument by the Scottish maker
-
Premium ❘ FeatureMaking Matters: Creating f-hole templates
Luthier Aubrey K. Alexander gives her method for creating f-hole templates using a CNC machine and Fusion 360 design software
-
Premium ❘ Feature‘It gets excellent sunlight’ - My Space: Svend Christensen
A luthier in Kensington, Johannesburg, South Africa
