Lutherie – Page 8
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Premium ❘ Feature‘Players have knocked on my door in a panic’ - My Space: David Segal
The luthier gives an overview of his busy Manhattan workshop
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Premium ❘ FeatureMaking Matters: Adding primer before varnish
Before varnishing their instruments, most luthiers add a layer of primer. Vlado Tilev looks at the types available, and their effect on sound quality
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Premium ❘ FeatureIn Focus: a 1759 viola by Petter Hellstedt
Stefan Lindholm examines an instrument by the Swedish maker
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Premium ❘ FeatureTrade Secrets: A platform for gluing a broken button
A method that takes the guesswork and uncertainty out of this challenging repair job
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Premium ❘ FeatureDown to the ground: Stradivari’s preparation layers
Giacomo Fiocco presents the results of a study using innovative spectroscopic techniques to examine two of the master’s finest instruments
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Premium ❘ FeatureIn Focus: A 1947 violin by Frantisek Zivec
Matthieu Besseling on the Bohemian maker’s mid-century instrument
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Premium ❘ FeatureIn Focus: c.1845-50 violin by Georges Chanot
Roland Baumgartner examines an instrument by one of the most important 19th-century French makers
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Premium ❘ FeatureFrom the archive: a 1618 Henry Jaye viol
The work of British violin maker Henry Jaye is testament to the unsung tradition of viol making in 17th-century London. John Dilworth examines a strikingly varnished Jaye instrument from 1618
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Premium ❘ FeatureMarino Capicchioni: A one-of-a-kind luthier
Self-taught and living far away from any centres of lutherie, Marino Capicchioni became famous in his time for the superb quality of his instruments.
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Premium ❘ FeatureIn Focus: a seven-string bass viol by Michel Colichon
Shem Mackey explores this quirky instrument by the French maker
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Premium ❘ FeatureIn Focus: an 1844 violin by Thomas Hardie
David Rattray examines an instrument by the Scottish maker
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Premium ❘ FeatureMaking Matters: Creating f-hole templates
Luthier Aubrey K. Alexander gives her method for creating f-hole templates using a CNC machine and Fusion 360 design software
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Premium ❘ Feature‘It gets excellent sunlight’ - My Space: Svend Christensen
A luthier in Kensington, Johannesburg, South Africa
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Premium ❘ FeaturePurfling experiments: Secrets of the strips
Mike Dunham describes a purfling process proposed at the Oberlin workshop in 2022
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Premium ❘ FeatureIn Focus: A c.1840 violin by Georges Chanot I
Ric W. Heinl on the French maker’s mid-century instrument
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Premium ❘ FeatureIn Focus: 1737 G.F. Celoniato cello
Simon Morris takes a look at a cello by the Italian maker
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Premium ❘ FeatureTrade Secrets: Making a fingerboard template with aluminium
An easy, effective and useful method to make your own version instead of using ready-made templates
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Premium ❘ FeatureCarlo Bisiach’s workshop - From the archive: July 1933
A visit to Carlo Bisiach’s workshop provides one reader with an insight into his violin making process, including his methods of seasoning wood
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Premium ❘ FeatureIn Focus: an 1893 Gustave Bernardel violin
Roland Baumgartner takes a look at a violin by the French maker
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Premium ❘ Feature1709 ‘King Carlos IV’ Stradivari violin: A crown jewel
Florian Leonhard reveals the history behind the 1709 ‘King Carlos IV’ Stradivari violin
