How to develop great performing presence

performingpresence

Great stage actors have an aura of positive energy and openness that string players can access, too. Acting coach Patsy Rodenburg tells Ariane Todes how

Explore more Featured Stories  like this in The Strad Playing Hub

Read more premium content for subscribers here

Sometimes it takes a person with a different perspective to be honest and objective. Voice and acting coach Patsy Rodenburg has worked with some of the biggest names in theatre, film and TV, and for 26 years has run the voice department at London’s Guildhall School of Music and Drama.

In her work with actors, and also with musicians, she helps them maximise their performing presence by training them to be aware of their body, how they breathe, use their voice, listen to others, and connect to their audience and fellow performers. Here she gives string players tips on staying centred, open and present, and offers some home truths about the classical music world.

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.