For Korean violinist Bomsori, the past year has been one of her busiest yet, with numerous live and streamed performances and her first solo recording for Deutsche Grammophon. As she takes her next steps on the road to international renown, she shares her guiding principles with Andrew Mellor
Bomsori Kim was given her distinctive name by her grandfather. Unusual in her native Korea, Bomsori translates literally as ‘sound of spring’. ‘I was actually born in winter, not spring,’ the violinist explains, ‘but as winter is cold and difficult, he wanted me to bring some nice spring news into the world.’ As I talk to Kim after the longest of winters, on a sunny 1 April, it’s easy to relate to her grandfather’s thinking.
She arrived at the Juilliard School as a postgraduate in 2014 following studies at Seoul National University. Since then her rise has been quick, and with a multi-album deal from prestigious label Deutsche Grammophon signed early in 2021, it is unlikely to be temporary. A busy summer includes a residency at the Rheingau Music Festival near Frankfurt that will encompass all five Mozart concertos with Camerata Salzburg, the Tchaikovsky Concerto with Vasily Petrenko and the Royal Philharmonic Orchestra and chamber music with cellist Maximilian Hornung and pianist Fabian Müller…
Already subscribed? Please sign in
We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.