All Debussy articles
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ReviewLaura van der Heijden: Path to the Moon
Fine musicianship can’t quite overcome a flawed programme concept
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ReviewGautier Capuçon: Destination Paris
Plenty of affection in a cellist’s homage to his home city
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ReviewConcert review: Mullova Ensemble: Transfigured Night
Edward Bhesania attends the interdisciplinary performance at London’s Milton Court Concert Hall on 18 October 2023
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ReviewConcert review: María Dueñas (violin) Julien Quentin (piano)
Tim Homfray attends the performance of Beethoven, Schubert and Debussy at London’s Wigmore Hall on 10 July 2023
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ReviewCellist Amalie Stalheim: Debussy, Poulenc, Stravinsky
Performances of great immediacy, captured by a first-rate recording
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ReviewBrodsky Quartet, Laura van der Heijden: Golden Oldies – More Favourite Encores
A joyous jumble of encores from an ever-youthful quartet
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ReviewConcert review: Parlando
Leah Hollingsworth attends New York’s Merkin Concert Hall, Kaufman Music Center, on 22 September 2022 for the performance of Reena Esmail, Debussy and Beethoven
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ReviewLisa Batiashvili: Secret Love Letters
An eclectic programme, drawn together by stunning musicianship
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ReviewChristian Ferras: The SWR Recordings
A fitting, if mixed, tribute to one of the great violinists of the 20th century
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Blogs9 tips on playing the Ravel and Debussy quartets
Franck Chevalier, viola player of the Quatuor Diotima, gives advice on how to approach the most celebrated French additions to the quartet repertoire
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ReviewDavid Nadien: Debussy, Fauré, Franck, Ravel, Schubert
Outstanding Debussy from this much-missed concertmaster
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ReviewConcert review: Jean-Guihen Queyras (cello) Alexander Melnikov (piano)
Tim Homfray hears the performance of Debussy, Chopin, Webern and Rachmaninoff at London’s Wigmore Hall on 14 April 2022
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ReviewConcert review: Alina Ibragimova (violin) Cédric Tiberghien (piano) Doric Quartet
Harriet Smith ventures to London’s Wigmore Hall on 30 March 2022 for a feast of Ysaÿe, Lekeu and Debussy
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ReviewConcert review: Grace Park (violin) Joseph Liccardo (piano)
Bruce Hodges attends the all-French recital at New York’s Weill Recital Hall on 13 December 2021
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ReviewConcert review: Esther Yoo (violin) Yekwon Sunwoo (piano)
Tim Homfray reports on the recital performance at London’s Wigmore Hall on 20 September 2021
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ReviewLinos Piano Trio: Stolen Music
Extraordinarily good reimagining of 20th-century orchestral classics
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DebateOpinion: A new light
Debussy’s Sonata for flute, viola and harp is just one of many works written for that combination, and is a prime example of how loosening fixed traditions can open new and exciting sound worlds, writes Toby Deller
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ReviewGautier Capuçon: Emotions
A collection of popular encores that strikes exactly the right note