In each case your shift is taking place on the new bow rather than the old bow, which means you're not anticipating the new position.'

Gary Hoffman gives a cello masterclass at the Queen Elisabeth Music Chapel on Tchaikovsky's Pezzo capriccioso, op.62 on 9 May 2016. The cello student is Natania Hoffman.

Read: How to play with a flexible bowing arm by cellist Gary Hoffman