Adès: Violin Concerto ‘Concentric Paths’ op.24*, Tevot† , Three Studies from Couperin*, Overture, Waltz & Finale from ‘Powder her Face’‡

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One of the challenges facing composers over the last century or so has been the semantic and tonal rift that often exists between their ideal sound worlds and those entrusted to realise them. Happily there are no such problems here, as Anthony Marwood’s quicksilver virtuosity and small-scale tonal purity fit ...

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