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Tone
7 tips on adjustments to get the best out of your instrument
The finest Stradivari in the world will sound poor if it is badly set up. Here are some points to consider sourced from our archive
Ask the Experts: should players separate technique and musicality in practice?
A violinist asks if players should separate technique and musicality when preparing a piece for a performance, and if there is a strategy that can help combat performance nerves
10 views on dynamics for bowed strings
Advice on how to produce effective dynamic contrasts from 120 years of The Strad
Yuri Zhislin on the 6 pillars of violin playing
The violinist and violist boils down a career’s worth of experience as soloist, chamber musician and teacher
10 tips on maximising tone quality & projection
Advice on projecting your sound from over 120 years of The Strad
‘With Nicky’ 2: Developing Your Sound
Why is sound so important? ‘With Nicky’ this week delves into the depths of developing sound, while reminding us that no two violinists sound the same, and that they shouldn’t sound the same. There’s lots of experimentation, plus plenty of advice on embracing the journey to finding your own sound.
From the archive: Technique or tone?
This article from The Strad, September 1954, argues that the trend among students of pursuing mechanical brilliance at the expense of beauty of tone is misguided
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