- Playing & Teaching
- Issue archive
- More navigation items
Recording Beethoven’s ‘Triple’ Concerto last June allowed French cellist Jean-Guihen Queyras to step back into near normality, among colleagues and friends. He tells Pauline Harding about recording at a social distance, the importance of musical ‘family’, and why working with living composers has helped him to find contemporary relevance in ...
Already subscribed? Please sign in
We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.