The Australian violinist on Crowded House, ‘classical’ music and the importance of the Antipodean perspective
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Degrees is The Strad’s international guide to further education for string players. Find details of courses in 50 countries worldwide, including the main string teachers on each, to help you make an informed decision about where to study next.
String Courses is The Strad’s annual guide to short courses, masterclasses and workshops. Whether you are looking for double bass tuition in Texas or teacher training in Prague, you’ll find something for every interest, age, ability and budget here.
Detailed technical and musical guidance from some of today's leading violinists, violists, cellists and double bassists.
Top players introduce their chosen masterclass piece.
Sheet music marked up with the soloists' personal fingerings, bowing and musical ideas. Available when you purchase an issue or subscribe to The Strad. Print and digital options available.
The German cellist looks at the importance of connection, colour and line in the work’s third movement
Esther Yoo imagines a ballroom of swirling summer dancers and secret trysts as she talks through the sparkling third movement of this magical work
Johannes Moser takes a look at tempo, dynamics and the relationship between instruments in the exciting and energetic first movement of the D major op.58 Sonata
