Historical
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FocusThe Strad Calendar 2024: 1715 ‘Baron Knoop’ Antonio Stradivari violin
The favourite instrument of collector David L. Fulton, for whom its tone is ’silvery with lots of “sizzle”’
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FocusThe Strad Calendar 2024: 1698 ‘Shapiro’ Pietro Guarneri of Mantua violin
The first fine instrument ever bought by collector David L. Fulton is a genuine rarity
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Premium ❘ FeatureNorwegian Wood: The history of the Hardanger fiddle
Regarded as Norway’s national instrument, the Hardanger fiddle is the product of a long evolution beginning in medieval times. Wiebke Lüders presents a history of the instrument’s development, profiling some of the most notable artisans
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Premium ❘ FeatureIn Focus: an 1870 Ludovico Rastelli violin
Alberto Giordano takes a look at a violin by the Italian maker
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NewsNew Stradivari exhibition to open in Cremona
’Il Mistero di Stradivari’ will show how the legend of the master luthier was created and enhanced in the 19th and early 20th centuries
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VideoStradivarius and Beyond: The Italian Violin Maker Lorenzo Storioni
Watch the first episode of Amorim Fine Violins’ new video series
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Premium ❘ FeatureIn Focus: a 1935 Gaetano Pollastri violin
Alberto Giordano explores this an instrument by the brother of violin maker Augusto Pollastri
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Premium ❘ FeatureZosimo Bergonzi: Family fortunes
Zosimo Bergonzi, son of Carlo, was for a time the only luthier active in Cremona . Michel Samson tracks his career through his known works
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Premium ❘ FeatureIn Focus: an 1812 viola by Giuseppe Marconcini
Jonathan Marolle takes a look at a viola from one of the ‘Ferrera school’ makers
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Premium ❘ FeatureIn Focus: a 1759 viola by Petter Hellstedt
Stefan Lindholm examines an instrument by the Swedish maker
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Premium ❘ FeatureFrom the archive: a 1618 Henry Jaye viol
The work of British violin maker Henry Jaye is testament to the unsung tradition of viol making in 17th-century London. John Dilworth examines a strikingly varnished Jaye instrument from 1618
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Premium ❘ FeatureMarino Capicchioni: A one-of-a-kind luthier
Self-taught and living far away from any centres of lutherie, Marino Capicchioni became famous in his time for the superb quality of his instruments.
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NewsAmati five-string cello bought by New York museum
The c.1610 instrument is thought to be the only surviving five-string cello made in Cremona from that era
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FocusIn Focus: The ‘Wieniawski’ Stradivari violin of 1719
In this article from the May 2009 issue, Florian Leonhard takes a close look at a violin which ’encapsulates everything that made Antonio Stradivari such a legendary figure’. Photographs by Richard Valencia
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GalleryIn Focus: A 1778 G.B. Guadagnini violin
Dorothy DeLay’s favourite instrument comes from Guadagnini’s Turin period, and shows the influence of his patron Count Cozio di Salabue, writes John Dilworth
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Premium ❘ Feature1709 ‘King Carlos IV’ Stradivari violin: A crown jewel
Florian Leonhard reveals the history behind the 1709 ‘King Carlos IV’ Stradivari violin
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Premium ❘ FeatureIn Focus: a 1784 Vicente Assensio violin
Jordi Pinto examines a violin by the Spanish luthier
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Premium ❘ FeatureIn Focus: A 1926 violin by Jeromos Cigl
Zoltán Délczeg examines an instrument by the Hungarian maker
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FocusOn the trail of a 1708 Stradivari: J.T. Carrodus and a mystery violin
In an addendum to his article in the June 2023 issue, Gennady Fillimonov uncovers how a 1708 Stradivari violin was mistaken for a cello, and other sundry observations
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Premium ❘ FeatureA mystery collector: On the trail of a Russian nobleman
Gennady Filimonov investigates a mysterious collector known in many publications as ‘a Russian nobleman’