Lutherie – Page 9
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Premium ❘ ArticleAnalysis June 2024: Is ipê an alternative for pernambuco?
With pernambuco in danger of being permanently off limits to bow makers, could another Brazilian hardwood – ipê – be the solution?
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Premium ❘ Article‘She typed the name into Google and emitted a cry of astonishment’ - Letters to the editor: June 2024
A selection of letters The Strad receives each month from its readers around the world: June 2024 issue
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Premium ❘ FeatureDecorating a bow frog: let the flowers bloom
A very specialist part of the bow maker’s craft is the addition of decorative inlay into a bow frog. Vladimiros Sorokin-Andreou presents his method for this intricate and delicate part of the process
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Premium ❘ FeatureMy Space: Anthony Morton’s Greensboro workshop
Take a peek into the North Carolina atelier
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Focus8 tips for perfecting your violin varnish
Advice from The Strad Archive on preparing, applying and drying varnish for best results
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FocusAsk the Experts: protecting your instrument in hot and humid temperatures
Four luthiers and restorers advise a musician on how to care for her instrument during the hot summer months. From August 2014
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Premium ❘ FeatureIn Focus: c.1810–20 bow by Christian Wilhelm Knopf
Matthieu Besseling on a bow by the Knopf dynasty’s patriarch
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Premium ❘ FeatureA mystery unveiled: the makers of Ferrara
While scholars have scrutinised the making traditions of various Italian cities, the luthiers of Ferrara have been largely neglected – until now. Florian Leonhard presents the results of recent archival research into Alessandro Mezzadri and the Marconcini family, along with notes on their making styles
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FocusAsk the experts: What should a luthier look for when choosing tonewood?
For a beginner luthier, choosing the perfect spruce and maple for an instrument can be a confusing process. Three experts in wood selection offer some guidelines
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Premium ❘ FeatureTrade Secrets: An alternative rib construction method
Luthier Alan Beavitt shares an option that can guarantee an accurate overhang at the end of the process
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BlogsConnecting musicians and makers: the British Violin Making Association’s 2024 Makers’ Day
Tibor Szemmelveisz reports back from the 27th Makers’ Day in February 2024, which cultivated a meeting of minds between luthiers and players in central London
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BlogsTruly unique: Henrik Frendin on his custom-made electric viola and five-string bass viola
Violist Henrik Frendin shares how his search for the perfect sound palette led him to commission two bespoke instruments by Richard Rolf
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BlogsLike living beings: how instruments damaged by war and disaster found new life thanks to a luthier’s noblesse oblige
Barbara Khristi writes about the deeds of luthier Phillip Injeian, who helped restore instruments damaged in the Bosnian War, as well as the 2010 Haiti earthquake
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FocusA Gagliano and a Strad: the violins of Maria Dueñas
Our May 2024 cover star discusses the tools of her trade with Tom Stewart
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BlogsThe pernambuco wood dilemma: a call for global responsibility and unity
Connecting cultural heritage and environmental sustainability, Daniel Neves discusses a proposal to include pernambuco in Appendix I of CITES, a change that would significantly impact the global trade of this essential wood
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BlogsThe Maccaferri-style violin inspired by Django Reinhardt
Luthier Neil Campbell shares how he crafted a violin in the style of the iconic instrument played by the legendary guitarist
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Premium ❘ FeatureMaking Matters: New angles on old designs
Luthier J. Paul Anderson details an unusual commission from New Zealand, which required an innovative varnish ingredient: pumice
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Premium ❘ Article‘I object to the way the old clichés are put out there!’- Letters to the editor: May 2024
A selection of letters The Strad receives each month from its readers around the world: May 2024 issue
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Premium ❘ FeatureMy Space: Elina Kaljunen’s Helsinki workshop
The maker takes us on a tour of her Finnish workshop
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Premium ❘ FeatureIn Focus: A 1759 violin by Joseph Marquès
Jordi Pinto examines the Spanish maker’s mid-century instrument
