Lutherie – Page 9
-
Premium ❘ Feature
Marino Capicchioni: A one-of-a-kind luthier
Self-taught and living far away from any centres of lutherie, Marino Capicchioni became famous in his time for the superb quality of his instruments.
-
Premium ❘ Feature
In Focus: a seven-string bass viol by Michel Colichon
Shem Mackey explores this quirky instrument by the French maker
-
Premium ❘ Feature
In Focus: an 1844 violin by Thomas Hardie
David Rattray examines an instrument by the Scottish maker
-
Premium ❘ Feature
Making Matters: Creating f-hole templates
Luthier Aubrey K. Alexander gives her method for creating f-hole templates using a CNC machine and Fusion 360 design software
-
Premium ❘ Feature
‘It gets excellent sunlight’ - My Space: Svend Christensen
A luthier in Kensington, Johannesburg, South Africa
-
Premium ❘ Feature
Purfling experiments: Secrets of the strips
Mike Dunham describes a purfling process proposed at the Oberlin workshop in 2022
-
Premium ❘ Feature
In Focus: A c.1840 violin by Georges Chanot I
Ric W. Heinl on the French maker’s mid-century instrument
-
Premium ❘ Feature
In Focus: 1737 G.F. Celoniato cello
Simon Morris takes a look at a cello by the Italian maker
-
Premium ❘ Feature
Trade Secrets: Making a fingerboard template with aluminium
An easy, effective and useful method to make your own version instead of using ready-made templates
-
Premium ❘ Feature
Carlo Bisiach’s workshop - From the archive: July 1933
A visit to Carlo Bisiach’s workshop provides one reader with an insight into his violin making process, including his methods of seasoning wood
-
Premium ❘ Feature
In Focus: an 1893 Gustave Bernardel violin
Roland Baumgartner takes a look at a violin by the French maker
-
Premium ❘ Feature
1709 ‘King Carlos IV’ Stradivari violin: A crown jewel
Florian Leonhard reveals the history behind the 1709 ‘King Carlos IV’ Stradivari violin
-
Premium ❘ Feature
‘Close to the mountains and lakes’ - My Space: Filippo Fasser
A Brescia-based workshop that also hosts concerts
-
Premium ❘ Feature
In Focus: A 1926 violin by Jeromos Cigl
Zoltán Délczeg examines an instrument by the Hungarian maker
-
Premium ❘ Feature
Plate archings and tone - part 2: a question of tone
Nigel Harris shows how close control of the arching shape of the plates can influence tone
-
Premium ❘ Feature
In Focus: A 1777 viola by Luigi Marconcini
Jonathan Marolle examines a viola with a personal style
-
Premium ❘ Feature
Making Matters: Photogrammetry to produce casts
Guy Harrison describes the process of using photogrammetry – the extraction of 3D information from photographs – to produce casts of instrument archings
-
Premium ❘ Feature
A mystery collector: On the trail of a Russian nobleman
Gennady Filimonov investigates a mysterious collector known in many publications as ‘a Russian nobleman’
-
Premium ❘ Feature
In Focus: An 1856 Giuseppe Rocca violin
David Bonesy examines a violin based on the ‘Alard’ Guarneri ‘del Gesù’
-
Premium ❘ Feature
Trade Secrets: Replicating peg shapes without a copying lathe
A device for maintaining the same shape and diameter of instrument pegs during the carving process