All interpretation articles
Making the transition from practice room to concert hall, whether for a competition or public performance, is itself a technical challenge. These tips were extracted from a masterclass given by Marianne Piketty and Nora Chastain and first published in 2014
I try to represent the composer as best I can - but I am a 20th century artist, and I view Bach and Beethoven from a 20th century perspective' Cellist János Starker talks with Paul Katz about interpreting the works of great composers from the perspective of his ...
Reviewers with too prescriptive a view on how a piece of music should be played miss a fundamental point: that performers are entitled to their own artistic vision, says Toby Deller