Technique: Working with hypermobile violinists

Usha Kapoor (c) Zuzanan Specjal-3

Drawing from both personal and teaching experience, violinist Usha Kapoor outlines the ways players and teachers can deal with hypermobility

Considering that hypermobility is relatively common, it is perhaps surprising that there isn’t greater awareness of the issues associated with it, especially when it comes to the training of musicians, dancers and athletes. In all three disciplines there is a tendency to begin training at a young age, and early flexibility can appear advantageous, often contributing to initial success…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.