Masterclass: Schubert String Quartet in G major, first movement

Xandi-van-Dijk-pic-by-Irene-Zandel-2011-IMG_3111.14.1a-

Xandi van Dijk, violist of the Signum Quartet, uncovers the details of interpretation that help us relate to a movement of such broad scope

Every time one returns to a piece of music it should be with fresh ears and another layer of understanding, and we are grateful to have had the opportunity to do that many times with this work. Being the last and longest of Schubert’s string quartets, it has a justifiably weighty reputation. He intended it to pave the way for the great symphony he had been working on and there’s no doubt it is symphonic in scope…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.