All Features articles

  • FPZ2-©-Irène-Zandel-hänssler-CLASSIC
    Premium ❘ Feature

    Session Report: American dreams


    On his latest album, German violinist Frank Peter Zimmermann devotes himself to the works of Bohuslav Martinů and Béla Bartók, two immigrants to the US in the wake of the Second World War, as Tom Stewart reports

  • Callier-Records-765-large
    Premium ❘ Feature

    Hollywood Bow Makers: Unsung heroes of the silver screen


    Lasting from the late 1920s to 1960, Hollywood’s golden age was a boom time for musicians, and those who catered for them. Raphael Gold tells the stories of some of the era’s best-regarded LA bow makers, and reveals why their work should be better known today

  • FelixSalmond
    Premium ❘ Feature

    Leonard Rose: All about the bow


    American cellist Leonard Rose was a consummate performer and pedagogue, whose velvety tone was the result of complete mastery of the bow arm. Oskar Falta explores some of his bowing theories and speaks to former students about his teaching techniques

  • Carlo Bisiach Mail Label 1938
    Premium ❘ Feature

    Carlo Bisiach: Dispatches from the front line


    Gennady Filimonov examines the letters between Carlo Bisiach (1892–1968) and his American representative Leo D. Larsson, which provide a fascinating perspective on the violin trade in the 1930s and 40s, as well as an insight into the Italian luthier’s working methods

  • 6
    Premium ❘ Feature

    Dover Quartet: United in sound


    After twelve years together, the Dover Quartet is marking its graduation to the ranks of mature ensembles with a new Beethoven recording cycle and a residency at the Curtis Institute. The players speak to Charlotte Smith from the Bravo! Vail Music Festival

  • asha3
    Premium ❘ Feature

    The Spice of Life: Teaching different styles


    Too often string teachers shy away from embracing styles outside the Western classical canon, but in doing so they’re ignoring a wealth of useful skills and techniques, not to mention repertoire, writes Julie Lyonn Lieberman

  • 145I 131
    Premium ❘ Feature

    Midori: Active Listener


    From getting to the core of new works to appreciating her students’ motivations, Midori is on a constant search for understanding. Toby Deller finds out how the Japanese-American violinist communicates this passion to those around her

  • #2 ED by Alexandre Ah-Kye
    Premium ❘ Feature

    Ensemble Diderot: Hidden Gems


    This month Ensemble Diderot releases The Berlin Album, the latest in its ‘cities’ recording series, juxtaposing works by established 17th- and 18th-century composers alongside those of lesser-known contemporaries. Ensemble founder and violinist Johannes Pramsohler speaks to Pwyll ap Siôn about why these works deserve greater attention

  • Paolo Sorgentone
    Premium ❘ Feature

    Empty Chairs at Empty Tables: Lutherie and Covid-19


    Violin makers worldwide were hit hard by the Covid-19 outbreak as the customers dried up – nowhere more so than in Italy. Peter Somerford speaks to makers in Cremona, Florence and Modena to find out how the industry is gradually getting back on its feet

  • EdgarTessa1
    Premium ❘ Feature

    Session Report: Early Inspirations


    Violinist Tessa Lark’s new collaborative album, The Stradgrass Sessions, brings together the musical influences of her childhood, fusing bluegrass, folk, jazz and classical styles. The project might easily have been delayed by Covid-19, but her musical partners were only too happy to record remotely

  • Ex 3 &4
    Premium ❘ Feature

    Not Quite Cinderella: The Viola in Late-Georgian Britain


    Britain during the late Georgian era was fertile ground for the viola as a serious chamber and solo instrument – and witnessed a flourishing in standards of playing and making, writes Kevin MacDonald

  • Fig 6
    Premium ❘ Feature

    The Lost Art of Cremonese Violin Archings


    The old Cremonese luthiers’ method of designing violin archings has been lost in the mists of time. Andrew Dipper uses evidence from 18th-century manuals to propose how they might have done it, through a system encompassing string lengths, internal forms… and a lot of mathematics

  • Benedetti Sesisons_Glasgow_mass perfromance_credit Alister Firth
    Premium ❘ Feature

    All for one: Nicola Benedetti


    When violinist Nicola Benedetti launched her Benedetti Sessions at the beginning of this year she had no idea that the mass-participation workshops for string players and teachers would be stalled by Covid-19. Undeterred, she moved the programme online, which, as she tells Peter Somerford, was no bad thing

  • Ida Haendel  Jelle Pieter de Boer 6
    Premium ❘ Feature

    Ida Haendel: Grande dame of the violin


    Following Ida Haendel’s death at the age of 96 in July, Tully Potter surveys the career of an exceptional performer and a remarkable woman

  • Solo-Strings_Day-2_Spitfire Audios
    Premium ❘ Feature

    Bach Cello Suites on the Double Bass: A New Register


    Although learning Bach’s Cello Suites at pitch on the double bass has only relatively recently become commonplace, they are now featured on music college syllabuses around the world. Virtuoso bassist and conservatoire professor Leon Bosch explains how he introduces the works to his students

  • R1270 top
    Premium ❘ Feature

    Giuseppe Ceruti: In the name of the father


    The Cremonese luthier Giuseppe Ceruti is often overlooked in favour of his more famous son, Enrico. Duane Rosengard examines two matching double basses by Giuseppe to discover the secrets of his making style

  • 1_1_JQ_2015_012
    Premium ❘ Feature

    Session Report: Final Frontier


    The Jerusalem Quartet’s second instalment of Bartók string quartets brings a new delicacy and clarity to these works, which are so often portrayed as brutal. Violinist Alexander Pavlovsky and violist Ori Kam discuss their approach with Tom Stewart

  • Schumann-photo1850
    Premium ❘ Feature

    Heart of the matter: Schumann’s Cello Concerto


    Schumann’s Cello Concerto is often seen as dark and troubled, and its advocates have struggled to bring it the recognition it deserves. Now, Josephine Knight’s discoveries have led to a new edition and recording which shed a fresh light on this work, writes Peter Quantrill

  • 00 USE THIS
    Premium ❘ Feature

    Pride of Norway: The Strad calendar 2021


    The Strad’s 2021 Calendar celebrates 15 years since the start of the Dextra Musica foundation, whose instrument collection has swiftly become one of the finest in the world. Unlike many other valuable collections, these instruments are in daily use. John Dilworth highlights some of the treasures  

  • 3. Informal-HD for print
    Premium ❘ Feature

    Digital Double Act: TwoSet Violin


    Over the past eight years, Brett Yang and Eddy Chen of TwoSet Violin have become an increasingly popular source of humour and inspiration for string players worldwide through their hugely successful YouTube channel. A more recent foray into staging live shows was a shot in the dark. Kimon Daltas ...