All Cover story articles
-
Premium ❘ Feature
Still making waves: the Australian Chamber Orchestra
As the Australian Chamber Orchestra celebrates its 50th anniversary, Michael White speaks to its long-time artistic director Richard Tognetti about its unique place in the musical world
-
Premium ❘ Feature
Philippe Quint: a time of change
US violinist Philippe Quint speaks to Rita Fernandes about his deeply personal new album Milestones, which represents a turning point in his career
-
Premium ❘ Feature
Violinist Arabella Steinbacher: angels and demons
Pauline Harding hears from the German violinist about her cathartic journey into the darkest depths and brightest heights of Lentz’s Violin Concerto, its pairing with Beethoven on her latest recording and the impact of motherhood on music making
-
Premium ❘ Feature
Violinist James Ehnes: A journey with Bach
Canadian violinist James Ehnes combines his virtuosity and musical intelligence as he takes a deep dive into the Bach violin concertos – both extant and reconstructed. He speaks to Thomas May about this latest chapter in his multifaceted career
-
Premium ❘ Feature
‘It’s about spending time with the music’: the Attacca Quartet
The Attacca Quartet is about to release its first recording of Ravel’s String Quartet in F major, closing the circle on the ensemble’s career so far. George Grella hears from the four musicians about why they are drawn to that composer, and about their repertoire choices, influences and working methods
-
Premium ❘ Feature
The legacy of a legend: Jacqueline du Pré tribute
The impact of British cellist Jacqueline du Pré’s towering talent continues to endure, despite her cruelly short career. To mark 80 years since her birth on 26 January 1945, several prominent string soloists speak about the influence her playing has had on their own music making
-
Premium ❘ Feature
Merchants of Venice: Venetian lutherie
In the 16th century, the Republic of Venice was a hotbed of innovation for stringed instrument makers – and the members of the Linarol family were at the heart of the trade. Stefano Pio explores the archives to reveal their fascinating and often colourful lives and careers
-
Premium ❘ Feature
Rachel Barton Pine: ‘What we’re doing today is the history of tomorrow’
As she turns 50, the American violinist Rachel Barton Pine speaks to Ariane Todes about her unwavering enthusiasm for discovering, and communicating, the artistic integrity in everything she does
-
Premium ❘ Feature
50 years of the Takács Quartet
As the Takács Quartet celebrates its 50th birthday, its members talk to Pauline Harding about the ensemble’s legacy, the intangible ‘fifth spirit’ that has shaped its character even as its players have changed over the decades, and the importance of teaching and other projects and challenges
-
Premium ❘ Feature
Violinist Ray Chen: Making the connection
Global violinist Ray Chen’s mission is to connect people through music. He speaks to Amanda Holloway about his work both on and off the concert platform – through his Tonic practice app, his social media presence and his new album
-
Premium ❘ Feature
Violinist Rachel Podger: Music from every angle
The celebrated British violinist and Baroque and Classical specialist Rachel Podger chats with Tom Stewart about her new guest director role, her approach to teaching Baroque playing and striving to create an exciting musical experience for her audiences
-
Premium ❘ Feature
Resplendent harmony: Carlo Bergonzi ‘Salabue, Martzy’ violin 1733
The 1733 ‘Salabue, Martzy’ is one of the finest instruments by Carlo Bergonzi in existence. Jason Price examines the violin and looks at its travels over the past 300 years
-
Premium ❘ Feature
Cellist Laura van der Heijden: new ways of thinking
Although British cellist Laura van der Heijden is well versed in live performance and studio recording, she is still discovering new facets of her musical personality, as Toby Deller finds out
-
Premium ❘ Article
‘The most original musician I’ve ever met’: remembering violinist Yehudi Menuhin
Yehudi Menuhin’s extraordinarily multifaceted life and career more than surpassed the traditional role of the solo concert violinist. Here friends, family and colleagues who knew him, studied with him and worked alongside him describe their association with and memories of the great man
-
Premium ❘ Feature
Making her mark: violinist María Dueñas
Although she’s only 21, the Spanish violinist María Dueñas is already a rapidly rising star in the musical world. Tom Stewart speaks to the young virtuoso about how she has created her own unique and distinctive voice on the instrument
-
Premium ❘ Feature
Violinist Augustin Hadelich: ‘Just let the music speak’
The virtuoso violinist Augustin Hadelich defies categorisation; he is the product of several cultures that he draws on to produce a sound that is distinctly his own. He talks to Ariane Todes about his influences and how he developed his unique musicianship
-
Premium ❘ Feature
Violinist Joshua Bell: ‘Everybody’s playing like their life depends upon it’
Violinist Joshua Bell chats with Pauline Harding about transcending the pyrotechnics of Paganini, the inspiring ethos of the Academy of St Martin in the Fields, and celebrations to mark the centenary of the orchestra’s founder, Neville Marriner
-
Premium ❘ Feature
Violist Timothy Ridout: ‘People want to hear something different’
Timothy Ridout is the latest in a line of brilliant British violists that stretches back to Lionel Tertis. He speaks to Toby Deller about the legacy of this influential musician, his own fight to expand the viola repertoire, and his latest recording – a Tertis celebration
-
Premium ❘ Feature
Stradivari 1713 ‘Boissier, Sarasate’ Violin: Sarasate’s Red Violin
One of the most admired instruments ever made by Antonio Stradivari, the ‘Boissier, Sarasate’ is in an excellent state of preservation. Roberto Jardón Rico examines the violin and its best-known owner, the Spanish virtuoso Pablo Sarasate
-
Premium ❘ Feature
Anne Akiko Meyers: What’s next?
US violinist Anne Akiko Meyers speaks to Rita Fernandes about her Californian roots, lifelong hunger for commissioning new works, and determination to make a lasting impact on the future of new music