‘Free and ringing, never forced’ - Technique: Developing bow control for improved tone

Martin Outram, cr Melanie Outram

Violist Martin Outram on mix of exercises to help you draw out sound actively and attentively with the right hand

Explore more Technique  like this in The Strad Playing Hub

There are many issues that get in the way of successful tone development. This article is intended to help students – especially those who have migrated from the violin to the viola – develop their sound so that it is always free and ringing, never forced. Very often violinists who start to play the viola think that they need to use more bow weight, because the viola is a bigger instrument with thicker strings, but sound can be crushed on the viola as easily as it can on the violin. It’s all about releasing the string as much as possible and discovering how much weight one’s own instrument can take…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.