Lutherie
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GalleryIn Focus: 1778 violin by G.B. Guadagnini
Dorothy DeLay’s favourite instrument comes from Guadagnini’s Turin period, and shows the influence of his patron Count Cozio di Salabue, writes John Dilworth
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Gallery
From the Archive: a violin by J.B. Guadagnini, Parma 1769
This illustration of a violin by J.B. Guadagnini was published in The Strad, November 1938. The following text is extracted from the article accompanying the photographs
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Gallery
From the Archive: a violin by J.B. Guadagnini, Turin, 1780, the ‘Louis Spohr’
This illustration of the ‘Louis Spohr’ Guadagnini was published in The Strad, March 1962. The following text is extracted from the article accompanying the photographs: The J.B. Guadagnini illustrated is one of the finest specimens of this maker’s Turin works in existence. Like the best Guadagnini violins of the Turin ...
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Girolamo Amati II violin 1671: Last but not least
Girolamo Amati II was the final violin maker of the illustrious Amati dynasty – and possibly the most overlooked. Barbara Meyer examines a 1671 violin from his early career and contrasts it with another instrument he made 48 years later
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Making Matters: Set the records straight
Acoustic testing can generate a huge amount of data on a single instrument. Rainer Beilharz shows how to record it in a meaningful way for visually oriented people
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Trade Secrets: Designing and making a ferrule
This small part of a bow frog can have a huge effect on the bow’s final overall style
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In Focus: A 1762 violin by Gennaro Gagliano
Yuri Pochekin examines the Neopolitan maker’s 18th-century instrument
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François-Nicolas Voirin: The second Tourte
The bows of François-Nicolas Voirin had more influence than those of any other bow maker after F.X. Tourte. In the first of two articles, Matt Wehling explores Voirin’s life and career, and examines why his bows were so successful with players
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My Space: Elisa Scrollavezza & Andrea Zanrè
The Parma-based makers take us on a tour of their workplace
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Trade Secrets: A ‘plug and plate’ repair for a double bass neck
A detailed alternative method for a difficult neck and pegbox repair
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Making Matters: Change and decay?
Matthieu Besseling argues we are currently seeing a ‘second transition period’ in instrument and bow making, analogous to the changes at the end of the 18th century – but are they all to the good?
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News
Australian Chamber Orchestra acquires ‘ex-Dollfus’ Stradivari violin
The 1732 instrument will be played by ACO principal violin Helena Rathbone
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News
1714 ‘da Vinci, ex-Seidel’ Stradivari violin sells for $15.34m
The sale of the violin heard on the soundtrack to The Wizard of Oz constitutes the second-highest amount ever paid for a Stradivari violin at auction
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Gallery
Photo gallery: Daniela Gaidano’s Violoncello da Spalla
Italian luthier Daniela Gaidano offers an introduction to her ‘shoulder cello’, pictures of the construction process, as well as a video of the instrument in action
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News
First ‘del Gesù’ violin auctioned in a decade fetches £3.5 million
The 1736 Guarneri ‘del Gesù’ violin was sold on Friday 3 June by Aguttes auction house in France
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News
UK ivory ban comes into force
As of 6 June, anything made of or containing ivory must be registered before a sale in Britain
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In Focus: A 1904 violin by Erminio Montefiori
Alberto Giordano looks at the self-taught Italian luthier’s 20th-century instrument
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News
Stradivari’s c.1679 ‘Hellier’ violin to be sold at auction
The inlaid instrument will go under the hammer at Christie’s London on 7 July 2022
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Fluorescence: Reflected glories
Viewing instruments in different kinds of light has become standard in documentation and assessment. Leonhard Rank explains how, in addition to ultraviolet light, researchers can now use infrared, and even parts of the visible spectrum, to reveal even more secrets
