Lutherie – Page 8
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Lutherie in China: the enterprise system
China has become a world leader in stringed instrument making, based on a system of bulk production combined with respect for craftsmanship. Sisi Ye speaks to the heads of manufacturing firms in Pinggu, Queshan and Huangqiao to learn more
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Dawn of Parisian splendour: Charles François Gand
A talented luthier and a shrewd businessman, Charles François Gand had a seismic effect on the Paris violin world despite his relatively small output. Florent Boyer presents an in-depth examination of several Gand instruments to show the development of his style
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In Focus: A 1675 violin by Antonio Casini
Jonathan Marolle describes an instrument by Modena’s first violin maker, born around 1630
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Trade Secrets: Making a pigment grinder
A device that removes the effort from the tiresome business of grinding varnish pigments by hand
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My Space: Marcus Kimke
A peak into the workshop of the maker based in Angers, France
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Making Matters: Graduation studies
Is it possible to customise the sound and response of a newly built violin, in playing condition, for a specific musician? Ulf Kloo explains how it can be done, with the help of a small wooden pin in the back plate
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Soundpost: Letters to the Editor January 2021
A selection of letters The Strad receives each month from its readers around the world: January 2021 issue
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Auction Report: January 2021
Despite the problems of Covid-19, the October sales went ahead as planned in London. Kevin MacDonald reviews some of the highlights
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Trade Secrets: Making a partial plaster cast
A useful restoration method that can be used when a full cast is unnecessary
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Making Matters: Making fingerboards green
With speculation rife that ebony might soon be added to the CITES index of forbidden woods, Alan Beavitt shares his method for creating a fingerboard using veneers rather than full blocks of the wood
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Soundpost: Letters to the Editor December 2020
A selection of letters The Strad receives each month from its readers around the world: December 2020 issue
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Trade Secrets: Preparing an instrument for varnishing
A guide to the steps needed for the final coat of varnish to show up to its best effect
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Making Matters: All laid out in black and white
Stradivari’s method for laying out f-holes has long been a mystery. Torbjörn Zethelius reveals the method he believes the Cremonese master may have used, and how it can still be useful today
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The viola d’amore: For a sympathetic ear
The viola d’amore is undergoing a resurgence in popularity among early music groups, with a wealth of repertoire still to be rediscovered. Rachael Durkin tracks the development of this unique instrument, examining its many precursors along the way
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Soundpost: Letters to the Editor November 2020
A selection of letters The Strad receives each month from its readers around the world: November 2020 issue
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