Lutherie – Page 17
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In Focus: A c.1930 violin by Annibalotto Fagnola
Philip Brown examines an instrument by the Turin violin maker
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Trade Secrets: Lengthening a violin neck
An alternative to performing a neck graft, without the need for making a replacement
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Making Matters: Pearls of wisdom
One of the most mysterious parts of bow making is the production of mother-of-pearl slides and eyes. John Matthews provides a guide to the process, and explains why ormer is the best shell to use
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Luthiers and RSI: Taking the Strain
For instrument makers, repetitive strain injuries can mean untold pain and misery – and possibly the end of their career. Luthier Cameron Robertson explains how, with the help of occupational therapist Sara Propes, he adapted his work process to guard against the problems of RSI in the future
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Making Matters: In search of the ‘missing link’
Stefan Hersh examines a Tourte-school bow that might provide a connection between the master bow maker’s conventional style and the earlier Cramer-head bows
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Trade Secrets: Repairing damaged blocks
A conscientious method that preserves as much information as possible for future restorers
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In Focus: A 1704 cello by Barak Norman
Colin Adamson and Benjamin Hebbert examine an instrument by the English maker
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Making Matters: A Major Sticking Point
Instead of discussing the right way to secure a crack with reinforcements, shouldn’t we try to achieve the strongest possible joint in the first place? Christian Schabbon presents the results of his investigation into different types of glue
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In Focus: An 1804 Viola by Joseph Fischer
Roland Baumgartner examines an instrument by the German maker
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Lutherie in the Vogtland: Stars of the East
The Vogtland in eastern Germany produced some of the country’s least known and most fascinating instrument makers.Rudolf Hopfner and Monika Lustig use CT scans to lift the lid on their unusual construction methods, and show why they should be more widely studied
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Trade Secrets: Neck shaping
A quick and accurate method for this crucial part of the making process
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Trade Secrets: Inlay techniques
Giving a decorative flourish to an instrument can add a personal touch – and be a true test of skill
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Making Matters: A head for figures
Luthiers such as Jacob Stainer often surmounted their instruments with elaborately carved heads rather than scrolls. Lloyd McCaffery, a professional wood carver, explains how he developed a modern take on an ancient art form
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Chinese Tonewoods: Interesting Times
For luthiers worldwide, European wood is still viewed as the best for making stringed instruments – even though China’s forests are filled with high-quality spruce and maple. Xue Peng presents the results of a study comparing the tonewoods of China and Europe, with some startling conclusions
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Trade Secrets: Notes on cello endpin fitting
A guide to veneer bushing and creating an ‘abrasive reamer’ for making adjustments