Latest masterclass – Page 2
-
FocusMasterclass: Philippe Graffin on Ravel’s Violin Sonata no.2
The French violinist explores how to create an orchestra of abstract colours and characters in the first movement of Ravel’s last chamber work
-
Focus
Masterclass: Jan Vogler on Schumann's Fantasiestücke
Cellist Jan Vogler discusses how to colour these fantasy pieces using a mixture of technique and imagination
-
Focus
Masterclass: Steven Tenenbom, Schumann Märchenbilder
The American viola soloist, chamber musician, and teacher explores how to find your own sense of character and flow in the first two contrasting pieces
-
Focus
Masterclass: Daniel Hope on the Franck Violin Sonata
The British violinist takes a look at the second movement of a work filled with Romantic flair, fireworks and colour, and highlights the importance of building a perfect piano-violin partnership
-
Focus
Masterclass: Beethoven’s Cello Sonata no.4
Cellist Lynn Harrell considers challenges and contemporary concepts in the first movement of a sonata conceived entirely in the imagination of a deaf composer
-
Focus
Masterclass: Schubert Quartet no.14, ‘Death And The Maiden’
Second violinist of the Chiaroscuro Quartet, Pablo Hernán Benedí , looks at the first movement of a work filled with secrets, threats, drama and tension
-
Focus
Masterclass: Carolin Widmann on Schumann Violin Sonata no.2
Interpretational insights into the first movement of a work written by a musical genius with an increasingly unsettled mind
-
Focus
Masterclass: Dittersdorf Double Bass Concerto, K172
Berlin Philharmonic bassist Edicson Ruiz advocates Viennese tuning and a period bow to bring out the best in this sonorous Classical work
-
Focus
Masterclass: Mendelssohn Variations Op 17
British cellist Guy Johnston talks about dialogue, contrast and sense of line in the German composer’s Classical–Romantic work
-
Article
Masterclass: Jan Vogler on Beethoven Cello Sonata op.69
Cellist Jan Vogler explores the first movement of the first-ever sonata to give equal weight to both piano and cello
-
Focus
Masterclass: Beethoven String Quartet No 16 in F Major, Op 135, first movement
Casals Quartet violist Jonathan Brown scrutinises this movement and explains why this piece is less abstract and unruly than many musicians first assume
-
Focus
Masterclass: Daniel Hope on 'Winter' from Vivaldi's Four Seasons
The British violinist offers ideas on how to conjure a frosty chill through your violin playing. From the January 2015 issue
-
Focus
Masterclass: Joshua Bell on Bruch's Violin Concerto no.1, third movement
The American violinist discusses gypsy style, charisma, flair and contrast in the lively third movement of this much-loved work
-
Focus
Masterclass: Jian Wang on Brahms's Cello Sonata No.2 in F Major, second and third movements
The Chinese cellist gives advice on how to play the middle movements of this colourful, passionate work, and calls on cellists’ capacity to play cantabile
-
Focus
Masterclass: Baiba Skride on the Berg Violin Concerto, first movement
The Latvian violinist discusses the importance of thorough planning, together with emotional engagement, when playing this awkward work
-
Focus
Masterclass: Julian Rachlin on Brahms's Viola Sonata in F minor
The Lithuanian-born violinist and violist discusses technical preparation, character and colour in the first and second movements of op.120 no.1
-
Focus
Masterclass: Christian Tetzlaff on Beethoven’s Violin Concerto – first movement
How to bring out the mystery and joy of one of classical music’s longest opening movements
-
Focus
Masterclass: Arabella Steinbacher on Ravel’s Tzigane
The German violinist gives advice on how to inject character and charisma into the daunting solo introduction of this much-loved work
-
Focus
Masterclass: Barnabás Kelemen on the first movement of the 'Razumovsky' quartet, op.59 no.1
The leader of the Kelemen Quartet discusses spontaneity and scales in the first movement of this ‘Rasumovsky’ Quartet. From the January 2018 issue
-
Focus
Klezmer violin technique masterclass with Sophie Solomon
The violin is a vital ingredient of the klezmer sound. In this Masterclass from January 2007, Sophie Solomon, founding member of klezmer fusion band Oi Va Voi and artistic director of London’s Jewish Music Institute, explains that embodying a vocal quality in the instrument is the key to performing this ...
- Previous Page
- Page1
- Page2
- Page3
- Page4
- Next Page