All Historical articles – Page 6
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Premium ❘ FeatureInside information
Very often neglected, the chamfers of a bow head can give intimate clues as to a maker’s working style and personal characteristics. Anton Lu and Dai-Ting Chung compare and contrast bows from the Baroque era to the present day
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Focus
Looking after Paganini's 'Il Cannone' violin
Entrusted with the task of conserving one of the world’s most valuable violins, Bruce Carlson has made it easier to play, while taking it closer to how it would have looked to Paganini. In this article first published in 2004, he explains
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Premium ❘ Feature
In focus: c.1870 viola by Carl Mettus Weis
Jens Stenz examines a c.1870 viola by the Danish maker
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Premium ❘ News
Top lots from the London sales
A record-breaking Gofriller and possibly the oldest British viola drew Kevin MacDonald’s attention in the March auctions
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News
Home visit for Cremonese instruments from US National Music Museum
The Museo del Violino prepares to welcome instruments by Stradivari, the Amatis and others from collection housed in Vermillion, South Dakota
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Focus
In focus: c.1845-50 violin by Georges Chanot
Roland Baumgartner examines an instrument by one of the most important 19th-century French makers
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In focus: 1953 violin by Giuseppe Ornati
A maker and also tutor at the Cremona International Violin Making School, whose influence was keenly felt among Italian luthiers during the latter part of the 20th century.
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In focus: 1675 violin by Francesco Rugeri
In this article from the December 2014 issue, Fausto Cacciatori takes a close look at a fine example of a rather enigmatic maker with links to Nicolò Amati
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Focus
In focus: c.1690 violin by Willem van der Sijde
Hubert De Launay takes a close look at a violin with full arching, unusually placed f-holes and a slender swan necked scroll
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In focus: the 'Sachs' Stradivari of c.1666
John Dilworth takes a close look at one of the very earliest violins attributable to Stradivari
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Focus
The thief, his wife and the 'Huberman' Strad
The ‘Gibson, Huberman’ Stradivari now owned by Joshua Bell has a history worthy of a blockbuster thriller. Stolen twice in the 20th century, the second time it remained undiscovered for nearly 50 years despite being played in public regularly by its thief. In this article from January 1998, Carla Shapreau ...
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Focus
In focus: 1751 violin by G.B. Guadagnini
One of two by the maker owned by Adolph Brodsky, it has a good claim to being the one on which he premiered the Tchaikovsky concerto, writes Stewart Pollens
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Debate
Why musicians should appeal against the ivory act
Benjamin Hebbert on the ethical tightrope of campaigning for exemptions to the Ivory Act while supporting its aim to put a stop to the slaughter of elephants
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Focus
In focus: c.1737 cello by G.F. Celoniato
From a Turinese maker with a relatively short but successful career, from which only a handful of instruments survive, comes this elegant cello. Article by Simon Morris
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Video
Frank Peter Zimmermann talks violins
In this video, Frank Peter Zimmermann describes what it means to have a long-term relationship with your instrument, and how you know which violin is right for you.
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News
Rostropovich's record-breaking Guadagnini on loan to Torleif Thedéen
Norwegian musical instrument foundation bought the cello for nearly £2m from an auction of the great Russian’s collection
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Focus
In focus: the 1706 'Brott-Turner/Schumacher' Tecchler cello
Tom Wilder examines an instrument in an excellent state of preservation by the foremost maker of the Roman school. From the September 2014 issue of The Strad
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Focus
In focus: 1850 violin by Giuseppe Rocca
John Dilworth examines a violin from the height of Rocca’s powers, after he left the Pressenda workshop to strike out on his own. From the January 2011 issue of The Strad
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Focus
In focus: 1764 violin by Giovanni Battista Gabrielli
In this article from the February 2009 issue, Gabriele Rossi Rognoni examines an instrument by probably the most prominent Florentine maker, about whom very little information survives. Photographs by Marco Rabatti, Serge Domingie
