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Manchester Collective – Places We Know at the Southbank Centre, London. Photo by Pete Woodhead - Copy

Creation and evolution: Manchester Collective

2024-04-26T08:32:00+01:00

Manchester Collective is an ensemble that doesn’t shy away from either transporting its listeners to unexpected places, or embracing change within its own identity. Members including co‑founder and violinist Rakhi Singh talk to David Kettle about the group’s unique philosophy

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Unveiling Marco Anzoletti’s Concerto for Violin and Viola: one soloist, two instruments

2024-04-25T13:33:00+01:00

A concerto from 1915 that requires its soloist to switch between violin and viola is receiving its world premiere on 26 April 2024. Orchestrator Kenneth Martinson shares details about this long-lost work

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‘New works come to life in such different ways’ - Violinist Fenella Humphreys on working with living composers

2024-04-25T11:08:00+01:00

Ahead of the release of her album Prism on the Rubicon Label, violinist Fenella Humphreys shares how varied the musical experience can be when working with different composers, and how rewarding the end result can be

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A musical smorgasbord: violinist Fabio Biondi on recording Roman’s ‘Assaggi’

2024-04-25T08:31:00+01:00

Italian violinist Fabio Biondi speaks to Robin Stowell about recording Swedish Baroque composer Johan Helmich Roman’s assaggi – solo musical morsels to whet the appetite

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Creating an immersive musical experience as an adult learner: violinist Julia Reddy

2024-04-23T11:41:00+01:00

Alongside regular lessons and practice, Julia Reddy shares four ways to inject more music into your daily life for adult students

Gerard and Julian Schwarz photo Evgeny Evtyukhov

Uncovering Arthur Foote’s Cello Concerto: Julian Schwarz

2024-04-23T09:24:00+01:00

Following a recent performance with the Buffalo Philharmonic, the cellist speaks about his journey to reconstruct and shine a light on the forgotten work by US composer Arthur Foote, which was written in the same year as the widely performed concerto by Dvořák

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Premium ❘ Feature

Trade Secrets: An alternative rib construction method

2024-04-30T08:32:00+01:00

Luthier Alan Beavitt shares an option that can guarantee an accurate overhang at the end of the process

Manchester Collective – Places We Know at the Southbank Centre, London. Photo by Pete Woodhead - Copy

Premium ❘ Feature

Creation and evolution: Manchester Collective

2024-04-26T08:32:00+01:00

Manchester Collective is an ensemble that doesn’t shy away from either transporting its listeners to unexpected places, or embracing change within its own identity. Members including co‑founder and violinist Rakhi Singh talk to David Kettle about the group’s unique philosophy

tatniz GettyImages-1430932060

Premium ❘ Focus

Opinion: Choosing the right repertoire for group instrumental lessons

2024-04-17T08:20:31.75+01:00

With the growth in popularity of group instrumental lessons, it’s never been more important to match the music to the pupil says cellist, composer and teacher Thomas Gregory

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Premium ❘ Focus

Sentimental Work: Christian Poltéra on Ravel’s Sonata for violin and cello

2024-04-17T08:20:00+01:00

The challenges of Ravel’s Sonata for violin and cello led to a memorable encounter between the Swiss cellist and his childhood hero, Mstislav Rostropovich

Competitions

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Arete Quartet wins the 19th Lyon International Chamber Music Competition

2024-04-29T13:43:00+01:00

The Arete Quartet were awarded the first prize, receiving €10,000

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Competitors announced for 2024 Primrose International Viola Competition

2024-04-24T09:52:00+01:00

24 live-round competitors will have the chance to perform for the first prize of $15,000 in June this year

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Violin winners of the Hong Kong International Young Musicians Competition announced

2024-04-16T12:30:00+01:00

Violinist Kim Byeol Claire won the senior category, receiving $2,000

[3] Soyoung Yoon pc Julia Wesel

Premium ❘ News

Competitions, Awards and Appointments: May 2024

2024-04-17T08:19:51.12+01:00

The latest competition results, appointments and forthcoming contests

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Premium ❘ News

Premiere of the Month: Britta Byström’s new violin concerto for Janine Jansen

2024-04-17T08:19:00+01:00

Day and night inspire a new violin concerto

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The Strad Podcast #115: designing your own musical education as an adult learner with violinist Julia Reddy

2024-04-11T08:38:00+01:00

How can adult students gain musical enrichment beyond the practice room? The violinist, teacher and podcaster shares her strategies

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The Strad Podcast Episode #57: Augustin Hadelich on Recuerdos and Ricochet

2024-04-04T08:10:00+01:00

Enjoy some ’R&R’: the violinist speaks about his new album, as well as a particularly tricky bowing technique

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The Strad Podcast #114: exploring resources and finding your teaching style with cellist Guy Johnston

2024-03-28T09:53:00+00:00

The cellist speaks about how resources left by renowned ‘cello gods,’ as well as fostering a community of sharing has informed his teaching methods throughout his career

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The Strad Podcast #113: Uncovering Ysaÿe’s lost works with violinist Philippe Graffin

2024-03-14T09:59:00+00:00

The violinist speaks about his efforts to bring Ysaÿe’s Poème concertant into the limelight

Competitons

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Arete Quartet wins the 19th Lyon International Chamber Music Competition

2024-04-29T13:43:00+01:00

The Arete Quartet were awarded the first prize, receiving €10,000

269511469_4626516007467066_8055954057277544156_n

Competitors announced for 2024 Primrose International Viola Competition

2024-04-24T09:52:00+01:00

24 live-round competitors will have the chance to perform for the first prize of $15,000 in June this year

download (3)

Violin winners of the Hong Kong International Young Musicians Competition announced

2024-04-16T12:30:00+01:00

Violinist Kim Byeol Claire won the senior category, receiving $2,000

More from Lutherie

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Ask the experts: What should a luthier look for when choosing tonewood?

2024-04-30T08:35:00+01:00

For a beginner luthier, choosing the perfect spruce and maple for an instrument can be a confusing process. Three experts in wood selection offer some guidelines

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Trade Secrets: An alternative rib construction method

2024-04-30T08:32:00+01:00

Luthier Alan Beavitt shares an option that can guarantee an accurate overhang at the end of the process

IMG_4763

Connecting musicians and makers: the British Violin Making Association’s 2024 Makers’ Day

2024-04-29T08:40:00+01:00

Tibor Szemmelveisz reports back from the 27th Makers’ Day in February 2024, which cultivated a meeting of minds between luthiers and players in central London

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Truly unique: Henrik Frendin on his custom-made electric viola and five-string bass viola

2024-04-26T08:59:00+01:00

Violist Henrik Frendin shares how his search for the perfect sound palette led him to commission two bespoke instruments by Richard Rolf

Phil restoring cello in Sarajevo or Haiti

Like living beings: how instruments damaged by war and disaster found new life thanks to a luthier’s noblesse oblige

2024-04-24T09:01:00+01:00

Barbara Khristi writes about the deeds of luthier Phillip Injeian, who helped restore instruments damaged in the Bosnian War, as well as the 2010 Haiti earthquake

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A Gagliano and a Strad: the violins of Maria Dueñas

2024-04-19T08:51:00+01:00

Our May 2024 cover star discusses the tools of her trade with Tom Stewart

JACK Blue with instruments_Shervin Lainez

Concert review: Austin Wulliman (violin) Jack Quartet, Alec Goldfarb (electric guitar)

2024-05-01T08:31:00+01:00By

Bruce Hodges hears the Jack Quartet’s performance of a work by its own violinist, Austin Wulliman, at Roulette, NYC, on 15 February 2024

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Concert review: Jan Vogler (cello) Amanda Gorman (poet)

2024-04-30T08:31:00+01:00By

Leah Hollingsworth hears the innovative performance of Bach at the Isaac Stern Auditorium in New York’s Carnegie Hall on 17 February 2024

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Concert review: Joshua Bell (violin) Philadelphia Orchestra/Christoph Eschenbach

2024-04-29T08:05:00+01:00By

Bruce Hodges hears the performance of Chopin (arr.Milstein), Vieuxtemps, Chausson and Brahms at Philadelphia’s Verizon Hall on 16 February 2024

Mozart Schmid

Benjamin Schmid: Mozart

2024-05-01T08:30:00+01:00By

Playing of finesse but the competition is formidable

Price Avalon Qt

Avalon Quartet: Price, Sowerby

2024-04-30T08:30:00+01:00By

Emotionally searing advocacy bring neglected quartets to life

Shosta Carducci Qt

Carducci Quartet: Shostakovich

2024-04-29T08:00:00+01:00By

Technical flair can’t make up for a limited emotional range

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Book review: Bows, Strings and Dreams

2024-04-17T08:16:52.117+01:00By

Lauren Wesley-Smith reviews the autobiography of 16-year-old violin wunderkind Leia Zhu

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Book review: Angel Eyes

2024-04-17T08:16:40.977+01:00By

Anne Inglis reviews the first in a projected trilogy of novels by Roger Graham Hargrave centred on the violin business

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Book review: Bach Six Suites for Violoncello solo (BWV1007–12) arranged for viola solo

2024-04-17T08:16:00+01:00

Misha Galaganov reviews Bärenreiter’s new edition of the Bach Suites edited for performance by violists

Debate

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Opinion: why don’t string players practice pizzicato?

2024-04-08T08:10:00+01:00

Perfecting bowing is a lifelong quest for string players – but what about pizzicato? Cellist Davina Shum advocates setting aside some dedicated practice time to this neglected technique

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Opinion: The benefits and challenges of playing at the back of the section

2024-03-18T08:05:00+00:00

While the musicians at the front of an orchestral string section might be in the spotlight, every string player should experience the unique challenges of sitting towards the back, says violinist Alexandra Gorski

Debate

GettyImages-1182843162

Opinion: why don’t string players practice pizzicato?

2024-04-08T08:10:00+01:00

Perfecting bowing is a lifelong quest for string players – but what about pizzicato? Cellist Davina Shum advocates setting aside some dedicated practice time to this neglected technique

GettyImages-763263945

Opinion: The benefits and challenges of playing at the back of the section

2024-03-18T08:05:00+00:00

While the musicians at the front of an orchestral string section might be in the spotlight, every string player should experience the unique challenges of sitting towards the back, says violinist Alexandra Gorski

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    Whether you are a string player searching for a new instrument or a business owner looking to reach your target audience, the Strad Directory remains the most comprehensive and user-friendly resource for the string music world.