Cellist Laura van der Heijden talks to Tom Stewart about the subtle, often other-worldly atmosphere inhabited by Czech and Hungarian music in her new recording with pianist Jâms Coleman
Pohádka, the title of Janáček’s 1910 work for cello and piano, might be translated into English as ‘Fairy Tale’. Like much of the Czech composer’s music, it takes listeners – and performers – through a landscape of shadows and shifting sands where tonalities, moods and motifs vanish as unexpectedly as they appear. The work gives its title to a new disc of Czech and Hungarian music by English cellist Laura van der Heijden and Welsh pianist Jâms Coleman, which spans everything from a song by Dvořák to András Mihály’s angular Mouvement (1963), via Janáček, Kodály and Navždy (‘Forever’), a brief song by Vítězslava Kaprálová, a Czech woman who died in 1940 aged just 25.
‘There’s a unique flavour to this repertoire that’s very hard to put your finger on,’ van der Heijden says. ‘It’s other-worldly and even sometimes slightly grotesque but always so full of colour.’ She and Coleman were already performing Pohádka and Kodály’s Sonatina, and were keen to explore further when the project with record label Chandos began to develop. ‘I wanted to avoid programmes that people had done already, but there isn’t so much music written for the cello, so it’s not as if you can make new discoveries all the time,’ she explains. The duo turned to vocal music by Dvořák, Kaprálová and Kodály, as well as some lesser-known corners of the cello repertoire. ‘It was such a pleasure to find music that fits so well into a programme and is also fun to play.’..
Already subscribed? Please sign in
We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.