Lutherie – Page 8
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Premium ❘ FeatureMaking Matters: New angles on old designs
Luthier J. Paul Anderson details an unusual commission from New Zealand, which required an innovative varnish ingredient: pumice
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Premium ❘ Article‘I object to the way the old clichés are put out there!’- Letters to the editor: May 2024
A selection of letters The Strad receives each month from its readers around the world: May 2024 issue
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Premium ❘ FeatureMy Space: Elina Kaljunen’s Helsinki workshop
The maker takes us on a tour of her Finnish workshop
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Premium ❘ FeatureIn Focus: A 1759 violin by Joseph Marquès
Jordi Pinto examines the Spanish maker’s mid-century instrument
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Premium ❘ FeatureMaking Matters: How to identify an expert bow maker
The ability to identify the maker of a bow is a rare talent that requires a keen eye and a wealth of knowledge. Jacques Poullot gives some pointers as to how to acquire such expertise
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Premium ❘ FeatureTrade Secrets: Making a decorative fleur-de-lys
Luthier Evan Davenport illustrates a method to add a striking decoration to the back of a Baroque instrument
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FeatureAsk the Experts: protecting your instrument from chips and nicks
A panel of luthiers give their thoughts on some unusual marks that have appeared on the surface of a violinist's instrument over the course of his playing career
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GalleryThe bows of Richard Otto Gläsel
A selection of bows by the German-born bow maker (1885-1931), whose work exhibits the influence of Claude Thomassin and other French artisans of the era
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Premium ❘ FeatureBow maker Richard Otto Gläsel: Parisian splendour
Having perfected his skills in the French capital, German bow maker Richard Otto Gläsel was much inspired by the work of his Gallic forebears, from Voirin to Vigneron. Gennady Filimonov tells his story and examines several of his finest works
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Premium ❘ FeatureCello bridge design: X marks the spot
For many years the design of the cello bridge has remained constant – but could it be improved? Sebastian Gonzalez presents the results of a comparison between the standard French bridge and a newly designed model, while Gaian Amorim tracks the development of the bridge
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GalleryPhoto gallery: ‘The Painted Violin’ by Roger Hansell
The decorated violin is now in the hands of baroque violinist Lucy Russell
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News1862 Vuillaume cello commissioned by Vieuxtemps to go on sale for the first time
The cello, which will be presented for auction by Ingles & Hayday this month, has remained in the Vieuxtemps family ever since it was made over 160 years ago
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Premium ❘ FeatureDouble bass set-up: not a giant violin
The size and shape of the double bass mean its set-up differs greatly from the other bowed stringed instruments. Bass maker Arnold E. Schnitzer presents a comprehensive guide, designed for both luthiers and practically minded bassists
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Premium ❘ FeatureViolin maker Otto Schünemann: A Romantic visionary
Although Otto Schünemann’s violins were praised by everyone from Vuillaume to Sarasate, his name is barely recognised today. Clifford Hall tells the story of this idealistic luthier who strove to bring the glories of the Cremonese masters to 19th-century Germany
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FocusNew in at The Strad Shop: The Best of Trade Secrets 6
The Strad’s latest collection of articles on all aspects of stringed instrument making and restoration
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NewsPaganini’s ‘Il Cannone’ violin receives X-ray treatment
The historic 1743 Guarneri ’del Gesú’ violin has been scanned by a particle accelerator in Grenoble in search for the secrets to its unique sound
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Premium ❘ FeatureIn Focus: An 1899 viola by Luigi Rovatti
Lionnel Genovart looks at the Buenos Aires-based Italian luthier’s late-century instrument
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Premium ❘ FeatureMaking Matters: The ‘golden ratio’ in violin making
Violin maker Wolfgang Schiele argues that the influence of the ‘golden ratio’ on painting, architecture and lutherie supports the idea of a perfect form for instruments
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NewsWinner of 2024 German Musical Instrument Prize announced
Heinrich Gill GmbH was named the recipient of the award in the opening ceremony of the akustika trade fair in Nuremberg on 8 March
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GalleryFrom the Archive: Oscar Shumsky on the 'Pierre Rode' Stradivarius violin, 1715
The violinist shared his thoughts on the instrument that belonged to both Pierre Rode and Leopold Auer, in our April 1985 issue
