Lutherie – Page 10
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FocusThe Strad Calendar 2024: 1709 ‘La Pucelle’ Antonio Stradivari violin
Considered to be the first instrument made during the master luthier’s ‘golden period’, the violin is in an excellent state of preservation
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NewsCremona Museo del Violino dedicates room to Simone Sacconi
The influential Italian luthier and scholar died 50 years ago at the age of 78
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Premium ❘ FeatureMy Space: Roberto Regazzi’s Bologna workshop
Included in Regazzi’s workshop is a full set of The Strad magazine from 1890!
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Premium ❘ FeatureNorwegian Wood: The history of the Hardanger fiddle
Regarded as Norway’s national instrument, the Hardanger fiddle is the product of a long evolution beginning in medieval times. Wiebke Lüders presents a history of the instrument’s development, profiling some of the most notable artisans
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FocusThe Strad Calendar 2024: 1676 ‘Conte Vitale’ Andrea Guarneri viola
The ‘Conte Vitale’ is one of only two instruments in the collection to have retained its original neck
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Premium ❘ FeatureMaking Matters: Making transitional bows
In 2021 bow maker Markus Laine was commissioned to make 15 transitional bows to be used by a single chamber orchestra. What were the challenges – and what change did it make to the sound?
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FocusThe Strad Calendar 2024: 1715 ‘Baron Knoop’ Antonio Stradivari violin
The favourite instrument of collector David L. Fulton, for whom its tone is ’silvery with lots of “sizzle”’
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Premium ❘ FeatureIn Focus: A c.1800 violin by Joseph Panormo
Andrew Fairfax on the UK-based Italian maker’s turn-of-the-century instrument
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FocusThe Strad Calendar 2024: 1698 ‘Shapiro’ Pietro Guarneri of Mantua violin
The first fine instrument ever bought by collector David L. Fulton is a genuine rarity
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Premium ❘ FeatureTrade Secrets: Making a mould and templates from a poster
A quick, efficient and accurate way of cutting durable templates using one of The Strad’s publications
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Premium ❘ FeatureThe Strad Calendar 2024: The Fulton collection
The Strad Calendar 2024 pays tribute to one of the 20th century’s finest stringed instrument collections, put together in just a couple of decades by American violin collector David L. Fulton. Christian Lloyd examines the treasures
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Premium ❘ ArticleAnalysis October 2023: Climate change and tonewood
The past summer has seen catastrophic heatwaves strike almost all of Europe. What effect have they had on the forests of spruce and maple that tonewood dealers depend on?
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Premium ❘ FeatureIn Focus: an 1870 Ludovico Rastelli violin
Alberto Giordano takes a look at a violin by the Italian maker
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NewsNew Stradivari exhibition to open in Cremona
’Il Mistero di Stradivari’ will show how the legend of the master luthier was created and enhanced in the 19th and early 20th centuries
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Premium ❘ Feature‘The firm was founded 120 years ago’ - My Space: Florian Bartsch
Take a tour of this Essen-based workshop
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NewsMissing: violin bow stolen in Miami Airport
The item, worth $10,000, went missing on 6 July 2023
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Premium ❘ Feature‘Be the person to teach them how to learn’ - Training an apprentice
Sarah Kluge explains her method of training an apprentice from scratch, including an essential list of dos and don’ts
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Premium ❘ FeatureIn Focus: a 1935 Gaetano Pollastri violin
Alberto Giordano explores this an instrument by the brother of violin maker Augusto Pollastri
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Premium ❘ FeatureMaking Matters: Building a five-string cello
David Folland gives some practical tips, based on his recent experience of building a five-string cello
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Premium ❘ FeatureZosimo Bergonzi: Family fortunes
Zosimo Bergonzi, son of Carlo, was for a time the only luthier active in Cremona . Michel Samson tracks his career through his known works
