Lutherie – Page 7
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Premium ❘ FeatureStradivari 1713 ‘Boissier, Sarasate’ Violin: Sarasate’s Red Violin
One of the most admired instruments ever made by Antonio Stradivari, the ‘Boissier, Sarasate’ is in an excellent state of preservation. Roberto Jardón Rico examines the violin and its best-known owner, the Spanish virtuoso Pablo Sarasate
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Premium ❘ FeatureThe Fulton collection: Magnificent obsession
For decades, top soloists would visit the home of David Fulton to sample the treasures of his legendary collection. Now dispersed, the instruments have been brought together again in book form. The collector shares some of the highlights with Christian Lloyd
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Premium ❘ FeatureFilippo de Filippi: From Vatican to varnish
The 19th-century violin maker Filippo de Filippi had an unusual route to his chosen career, taking in the Papal court, the Risorgimento and Rome’s cultural milieu. Stefano Pio explores his intriguing life
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Premium ❘ FeatureMy Space: Gianmaria Stelzer’s Zurich workshop
Take a peek into this workshop located in the Swiss city’s cultural quarter
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Premium ❘ FeatureMaking Matters: Using local materials for violin making
Dutch luthier Geerten Verberkmoes details the process of making a violin using local materials from his home town of Bergen op Zoom, between October 2022 and May 2023
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Premium ❘ FeatureIn Focus: A 1909 violin by James W. Briggs
David Rattray looks at this early twentieth-century violin by the British maker
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Premium ❘ FeatureLuigi Mozzani: Renaissance Man
As a luthier, musician, composer, teacher and successful businessman, Luigi Mozzani spread his talents far and wide. Lorenzo Frignani examines his eventful career, which produced all kinds of instruments
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Premium ❘ FeatureTrade Secrets: Preparing a two-piece violin top
An accurate method for sawing and preparing tonewood before the main process of carving the plate
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Premium ❘ FeatureCopying a Montagnana cello: The Full Monty
For the past few years, the attendees of the annual Oberlin Violin Makers Workshop have set themselves increasingly challenging group projects. Robin Aitchison explains how 30 luthiers collaborated on their latest task: to copy a Montagnana cello with pinpoint accuracy
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Premium ❘ FeatureMaking Matters: Finding the best-fitting viola
While the violin form is pretty much standardised, violas exist in all kinds of sizes and patterns. Chris Sandvoss offers some pointers to find the instrument most suited to the player
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Premium ❘ FeatureGerman bow makers in America: Across the Atlantic
Many, if not most, of the earliest bow makers working in America originally hailed from Germany. Raphael Gold discovers how they helped lay the foundations for the industry
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Premium ❘ FeatureMy Space: Michael Darnton’s Chicago workshop
Take a peek into the luthier’s compact workshop
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Premium ❘ FeatureTrade Secrets: Establishing a consistent double bass neck heel
A personal method that can be utilised during the design of the neck and scroll
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Premium ❘ FeatureIn Focus: An 1889 violin by Charles Francis Albert
Bruce Braun Babbitt examines the late-19th-century violin by the American maker
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Premium ❘ FeatureMy Space: Roberto Regazzi’s Bologna workshop
Included in Regazzi’s workshop is a full set of The Strad magazine from 1890!
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Premium ❘ FeatureNorwegian Wood: The history of the Hardanger fiddle
Regarded as Norway’s national instrument, the Hardanger fiddle is the product of a long evolution beginning in medieval times. Wiebke Lüders presents a history of the instrument’s development, profiling some of the most notable artisans
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Premium ❘ FeatureMaking Matters: Making transitional bows
In 2021 bow maker Markus Laine was commissioned to make 15 transitional bows to be used by a single chamber orchestra. What were the challenges – and what change did it make to the sound?
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Premium ❘ FeatureIn Focus: A c.1800 violin by Joseph Panormo
Andrew Fairfax on the UK-based Italian maker’s turn-of-the-century instrument
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Premium ❘ FeatureTrade Secrets: Making a mould and templates from a poster
A quick, efficient and accurate way of cutting durable templates using one of The Strad’s publications
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Premium ❘ FeatureThe Strad Calendar 2024: The Fulton collection
The Strad Calendar 2024 pays tribute to one of the 20th century’s finest stringed instrument collections, put together in just a couple of decades by American violin collector David L. Fulton. Christian Lloyd examines the treasures
