Lutherie – Page 7
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Premium ❘ FeatureTrade Secrets: Establishing a consistent double bass neck heel
A personal method that can be utilised during the design of the neck and scroll
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Premium ❘ FeatureIn Focus: An 1889 violin by Charles Francis Albert
Bruce Braun Babbitt examines the late-19th-century violin by the American maker
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Premium ❘ FeatureMy Space: Roberto Regazzi’s Bologna workshop
Included in Regazzi’s workshop is a full set of The Strad magazine from 1890!
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Premium ❘ FeatureNorwegian Wood: The history of the Hardanger fiddle
Regarded as Norway’s national instrument, the Hardanger fiddle is the product of a long evolution beginning in medieval times. Wiebke Lüders presents a history of the instrument’s development, profiling some of the most notable artisans
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Premium ❘ FeatureMaking Matters: Making transitional bows
In 2021 bow maker Markus Laine was commissioned to make 15 transitional bows to be used by a single chamber orchestra. What were the challenges – and what change did it make to the sound?
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Premium ❘ FeatureIn Focus: A c.1800 violin by Joseph Panormo
Andrew Fairfax on the UK-based Italian maker’s turn-of-the-century instrument
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Premium ❘ FeatureTrade Secrets: Making a mould and templates from a poster
A quick, efficient and accurate way of cutting durable templates using one of The Strad’s publications
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Premium ❘ FeatureThe Strad Calendar 2024: The Fulton collection
The Strad Calendar 2024 pays tribute to one of the 20th century’s finest stringed instrument collections, put together in just a couple of decades by American violin collector David L. Fulton. Christian Lloyd examines the treasures
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Premium ❘ ArticleAnalysis October 2023: Climate change and tonewood
The past summer has seen catastrophic heatwaves strike almost all of Europe. What effect have they had on the forests of spruce and maple that tonewood dealers depend on?
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Premium ❘ FeatureIn Focus: an 1870 Ludovico Rastelli violin
Alberto Giordano takes a look at a violin by the Italian maker
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Premium ❘ Feature‘The firm was founded 120 years ago’ - My Space: Florian Bartsch
Take a tour of this Essen-based workshop
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Premium ❘ Feature‘Be the person to teach them how to learn’ - Training an apprentice
Sarah Kluge explains her method of training an apprentice from scratch, including an essential list of dos and don’ts
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Premium ❘ FeatureIn Focus: a 1935 Gaetano Pollastri violin
Alberto Giordano explores this an instrument by the brother of violin maker Augusto Pollastri
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Premium ❘ FeatureMaking Matters: Building a five-string cello
David Folland gives some practical tips, based on his recent experience of building a five-string cello
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Premium ❘ FeatureZosimo Bergonzi: Family fortunes
Zosimo Bergonzi, son of Carlo, was for a time the only luthier active in Cremona . Michel Samson tracks his career through his known works
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Premium ❘ Feature21 reasons why your instrument might be buzzing
Finding why an instrument buzzes while playing is a task that bedevils luthiers. Dmitry Tarakanov presents a checklist for the most likely causes
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Premium ❘ FeatureTrade Secrets: Making an ebony crown
An intricate method for a sometimes vital part of the repair process
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Premium ❘ FeatureIn Focus: A 1925 violin by Ferdinando Garimberti
Rainer Michael Cocron looks at a violin by one of the modern Milanese school’s most prominent makers
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Premium ❘ ArticleAnalysis September 2023: Technology and access to fine instruments
Having survived the pandemic, the city of Cremona is embracing new technology in its efforts to bring its violin making heritage to the world
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Premium ❘ FeatureIn Focus: an 1812 viola by Giuseppe Marconcini
Jonathan Marolle takes a look at a viola from one of the ‘Ferrera school’ makers
