All Features articles – Page 11
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Premium ❘ FeatureMaking copies: Sounds like a match?
If someone makes an exact copy of a Stradivari, will it sound like a Stradivari? Sam Zygmuntowicz attempts to answer the question by making duplicates of the ‘Titian’ and ‘Willemotte’ Strads, as well as the ‘Plowden’ Guarneri ‘del Gesù’
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Premium ❘ FeatureViolinist Thomas Eisner: how I made it to Bayreuth
Violinist Thomas Eisner talks about his time with the Bayreuth Festival Orchestra
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Premium ❘ Feature‘We enjoy playing softly together’ - Session Report: Pablo Ferrández and Anne-Sophie Mutter
Cellist Pablo Ferrández talks to Peter Quantrill his latest recording with violinist Anne-Sophie Mutter
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Premium ❘ FeatureCT-Scanning the ‘Messiah’ Stradivari violin
In 2016 the ‘Messiah’ Stradivari was the subject of an extensive CT scanning project. Francesco Piasentini and Gregg Alf examine the resulting data, discovering repair work in the neck, and attempt to determine how it had originally been set
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Premium ❘ FeatureBlue Sky Teaching: Using creative approaches to refine students’ technique
In our June 2019 issue, Judith Kogan spoke with three string teachers, all based in North America and whose unique ideas are achieving significant results
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Premium ❘ FeatureViolinist and composer Felix Yaniewicz – father of the first Edinburgh Festival
David Kettle discovers the history of the 18th-century Polish–Lithuanian violinist, composer and entrepreneur Felix Yaniewicz
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Premium ❘ Feature‘The great artistry of history’s most important bow maker’ - François Xavier Tourte
Paul Childs compares and contrasts two very late violin bows by François Xavier Tourte
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Premium ❘ FeaturePavel Šporcl: The man with the blue violin
Czech violinist Pavel Šporcl speaks to Amanda Holloway about his varied career and his unusual violin
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Premium ❘ FeatureAntonio Stradivari ‘Harrison’ violin 1693: The start of something big
Andrew Dipper shows how the 1693 ‘Harrison’ violin signifies the start of a critical phase in the master luthier’s career
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Premium ❘ Feature1734 Stradivari violin ‘Willemotte’: Late… but worth the wait
Made when Antonio Stradivari was 90 years old, the 1734 ‘Willemotte’ bears all his hallmarks including a deep, complex tone quality
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Premium ❘ Feature‘I want to write music where the sensibilities of the player are encouraged’ - Caroline Shaw
The youngest ever winner of the Pulitzer Prize, Caroline Shaw talks to Toby Deller about her eclectic influences and finding inspiration in the most unlikely places
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Premium ❘ FeatureFrançois Nicolas Voirin: The style and substance of a pivotal bow maker
Matt Wehling on Voirin’s artistic and technical advances, which were implemented by most all French makers and paved the way for makers such as Lamy, Sartory and E.A. Ouchard
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Premium ❘ FeatureBlack community orchestras in the US: Hidden histories
During America’s 20th-century social inequalities, African American musicians set up their own community orchestras, Eliesha Nelson traces their history and legacy
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Premium ❘ FeatureSession Report: the Chiaroscuro Quartet on Mozart’s ‘Prussian’ Quartets
The members of the Chiaroscuro Quartet on combining detailed preparation while retaining a sense of spontaneity when recording Mozart’s ‘Prussian’ Quartets
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Premium ❘ Feature‘The scent of fraud hangs about him’ - The Brothers Abell: Secrets and Lies
Follow the lives of two brothers embroiled scandals, lies and violins
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Premium ❘ Feature‘Go where there is no path and leave a trail’ - Emerson Quartet: We journey together
As the Emerson Quartet embarks on its final tour, the members talk to Bruce Hodges about their instruments, their future and their past as one of the great string quartets
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Premium ❘ FeatureFinding your own sound: Standing out from the crowd
In a world that seems to value homogeneous perfection, how do you develop an individual voice on your instrument?
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Premium ❘ FeatureSession Report: Recording Florence Price’s Second Violin Concerto
Violinist Rachel Barton Pine and conductor Jonathon Heyward speak to Harry White about recording Florence Price’s lost-and-found late work, the Second Violin Concerto
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Premium ❘ FeatureThe Viennese double bass: The long pattern
In the 18th and 19th centuries, double basses made in Vienna had distinctive shapes and characteristics that gave them tremendous sound quality.
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Premium ❘ FeatureScottish fiddle dance music: Invitation to the dance
The influence of fiddle dance music that emerged in 18th century Scotland still echoes through the reels and strathspeys of today.
