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Featured stories

Rosette pc Virginia Rossetti

My experience: Rosette Kruisinga, Ticino Music Festival

2023-01-23T09:51:00+00:00

Surrounded by mountains and lakes, Kruisinga shares how these beautiful landscapes combined with passionate musicians made for two weeks of inspired music making

anatomy of practice

The Anatomy of Deliberate Practice: Violinist Susanna Klein

2023-01-19T08:30:00+00:00

Susanna Klein’s final article in her three-part series explores four traits of intentional practice sessions

daniel pukach pc Tamar Lewinsohn

My Experience: Daniel Pukach, Dartington Music: Summer School and Festival

2023-01-16T08:03:00+00:00

The violinist shares what it was like to work side-by-side with the Brodsky Quartet and the lasting impact this course has had on his career

GettyImages-1371723102

8 ways to make practice playful: Susanna Klein

2023-01-12T09:18:00+00:00

The violinist’s second instalment in a three-part series examines ways to inject a sense of fun in practice sessions

Geneva pc Matthew Holler

My experience: Geneva Lewis, Ravinia Steans Music Institute

2023-01-09T08:45:00+00:00

The violinist shares how this five-week chamber music course helped her conquer her performance nerves in a thoughtful and welcoming environment

Rebeca c. Ona Nieto

How creativity and academic research can feed curiosity in musicians: Violinist Rebeca Nuez Suarez

2022-11-25T12:24:00+00:00

Rebeca Nuez Suarez aims to show how performance and academic research inform each other in her PhD research

Brofsky online 2

Blue Sky Teaching: Using creative approaches to refine students’ technique

2022-11-24T11:09:00+00:00

In our June 2019 issue, Judith Kogan spoke with three string teachers, all based in North America and whose unique ideas are achieving significant results

© Harald Hoffmann 6

My experience: Bryan Cheng, Verbier Festival Academy

2022-11-22T11:20:00+00:00

The cellist shares details of his unforgettable three weeks exploring musical artistry and attending world-class concerts among the Alpine surroundings of Verbier

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My Experience: Connie Pharoah, Yellow Barn Festival

2022-11-16T12:22:00+00:00

A range of chamber repertoire, inspirational tutors and overcoming performance anxiety were just some of the highlights for the violist at this festival

GettyImages-1261640201

Opinion: How teachers can help students deal with feelings of futility and despair

2022-10-17T07:48:00+01:00

Neesa Sunar explores how teachers can call on their own experience to help pupils struggling with feelings of sadness or futility

sicmfday2-12

Back like a phoenix from the ashes: the Stellenbosch International Chamber Music Festival

2022-10-04T09:05:00+01:00

Peter Martens shares how the festival is used as a vehicle for social cohesion, community interaction and multiracial reconciliation in South Africa

Phoebe Clarke 2_credit Sara Platt

My Experience: Phoebe Clarke, Benedetti Foundation Ambassador Programme

2022-10-03T09:49:00+01:00

Developing teaching strategies and receiving feedback from industry professionals are just some of the benefits to reap from the programme, writes the double bassist

IMG_1945

International lutherie schools: All round learning

2022-09-06T08:23:00+01:00

Peter Somerford speaks to teachers from seven violin making schools to find out the options for young aspiring luthiers

20201009-049 crop

My Experience: Cecille Elliott, Silkroad’s Global Musician Workshop

2022-09-02T10:45:00+01:00

Cecille Elliott illustrates a joyful and lively environment of music making with musicians from 24 countries

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Newark School of Violin Making: Fifty years young

2022-08-26T09:23:00+01:00

The Strad looks back on 50 years of the UK’s best-known institution for lutherie and the many well-known names who have passed through its doors as students

Karijini National Park - pc getty

String education in regional Western Australia: Sitting on a gold mine

2022-08-25T08:26:00+01:00

In exploring the past and present of string teaching in regional Western Australia, Rita Fernandes finds examples of both progress and regression, all pointing to the fact that where there is opportunity, there is demand and potential

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Analysis September 2022: ‘It’s not about transforming your school overnight; this is going to take time’

2022-08-24T09:17:00+01:00

As the UK’s National Plan for Music Education is unveiled, questions still remain about the amount of funding behind the initiative, as well as the number of trained teachers. By Peter Somerford

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My Experience: violinist Oliver Neubauer, Music@Menlo Chamber Music Festival and Institute

2022-08-05T11:20:00+01:00

Flexibility and adaptability are essential traits for a professional chamber musician, says violinist Oliver Neubauer on his time at the San Francisco Bay Area festival

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My Experience: Animato Quartet, Verbier Festival Academy

2022-08-04T02:00:00+01:00

One can learn from great artists in the bar after a concert in addition to masterclasses at the Verbier Festival Academy, writes Animato Quartet violist Elisa Karen Tavenier

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‘A kinder, more loving way to teach an instrument’: Violinist Augustin Hadelich on the Suzuki Method

2022-07-13T09:01:00+01:00

The violinist has recently recorded music for Suzuki Method Books 4-6. He shares with The Strad his thoughts on the method, the challenges of recording such beloved works and the sense of responsibility in immortalising the repertoire for the next generation of violinists

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