Featured stories
My experience: cellist Sophie Kauer, Norwegian Academy of Music, Oslo
There is much on offer besides instrumental lessons, shares the cellist
My experience: violist Elliot Kempton, Guildhall School of Music & Drama, London
Studying in London is a lifestyle that fosters improvement, says the violist
My experience: violist Élise Hiron, Haute École de Musique de Lausanne, Sion campus
Studying in the beautiful Swiss city of Sion reaps plenty of performance opportunities, says the violist
My experience: violinist Edith Cnockaert, Koninklijk Conservatorium Brussel
Studying at this conservatorium fulfils a lifelong dream and provides a warm, supportive atmosphere, shares the violinist
My experience: violinist Alyssa Barker, Berklee College of Music
The violinist shares how the school has given her numerous opportunites to perform in a wide range of styles
My experience: violinist Kristian Mráček, Prague Conservatoire
What’s it like to study in the cultural heart of the Czech Republic?
'When someone is healthy inside, it sounds that way' - Mental health services in conservatoires
Rita Fernandes hears from administrators, counsellors and teachers from music schools about what defines a successful conservatoire mental health support system
’Planting musical seeds of possibility’ - cellist Isabel Castellvi on Silkroad’s Global Musician Workshop
The cellist and composer shares how participating in the annual workshop made for a musically enriching experience
Music teacher vs instrumental tutor: is there a difference?
In the first part of a series from 2011, pedagogue Philippa Bunting discusses teaching qualifications
Opinion: The Wisdom of Yoda
In the Star Wars universe, Jedi Master Yoda is the ultimate teacher – and his insights can be applied just as readily to string playing as to learning the ways of the Force, writes cellist Brian Hodges
Opinion: Jedi Wisdom for string playing
In the second of his articles, mining the wisdom of the Star Wars universe, cellist Brian Hodges explains how the teachings of the Jedi can be applied to string playing
How I prepare Lalo’s Cello Concerto: cellist Ellen Baumring-Gledhill
Ellen Baumring-Gledhill shares her practice and preparation
My Experience: Hiu Sing Fan, Kuhmo Chamber Music Courses
Fully immersed in the music and the beauty of Kuhmo, violinist Hiu Sing Fan talks about his experience at this all encompassing musical experience
My experience: Brendan O’Gara, Donegal Fiddle School
Catering to all levels from beginner to advanced with céilís and concerts organised throughout, Brendan O’Gara shares why Donegal Fiddle School has kept him coming back since 2009
My experience: Maya Crawford-Phillips, Valdres Sommersymfoni
With individual lessons, chamber music rehearsals and two student concerts every day, Crawford-Phillips shares how this crammed-packed course had her coming back for more
My experience: Rosette Kruisinga, Ticino Music Festival
Surrounded by mountains and lakes, Kruisinga shares how these beautiful landscapes combined with passionate musicians made for two weeks of inspired music making
The Anatomy of Deliberate Practice: Violinist Susanna Klein
Susanna Klein’s final article in her three-part series explores four traits of intentional practice sessions
My Experience: Daniel Pukach, Dartington Music: Summer School and Festival
The violinist shares what it was like to work side-by-side with the Brodsky Quartet and the lasting impact this course has had on his career
8 ways to make practice playful: Susanna Klein
The violinist’s second instalment in a three-part series examines ways to inject a sense of fun in practice sessions
My experience: Geneva Lewis, Ravinia Steans Music Institute
The violinist shares how this five-week chamber music course helped her conquer her performance nerves in a thoughtful and welcoming environment
Featured stories
My experience: cellist Sophie Kauer, Norwegian Academy of Music, Oslo
There is much on offer besides instrumental lessons, shares the cellist
My experience: violist Elliot Kempton, Guildhall School of Music & Drama, London
Studying in London is a lifestyle that fosters improvement, says the violist
My experience: violist Élise Hiron, Haute École de Musique de Lausanne, Sion campus
Studying in the beautiful Swiss city of Sion reaps plenty of performance opportunities, says the violist
My experience: violinist Edith Cnockaert, Koninklijk Conservatorium Brussel
Studying at this conservatorium fulfils a lifelong dream and provides a warm, supportive atmosphere, shares the violinist
My experience: violinist Alyssa Barker, Berklee College of Music
The violinist shares how the school has given her numerous opportunites to perform in a wide range of styles