Are completist concerts too much of a good thing?


Completist concerts are often criticised for serving up an ‘event’ instead of serving the music. But this kind of programming can reveal narratives in the music that would otherwise be hidden, argues Chloe Cutts

You are moments away from reading great content from The Strad

This article is exclusively available to members of The Strad community. 
JOIN HERE FOR FREE. Already a member, please SIGN IN.

Strad product montage

What you get:

  • Exclusive content including previews of the latest magazine articles
  • Access to our ever-growing library of features and resources
  • Our weekly newsletters with news, views and videos from the string world
  • To be part of the discussion by commenting on articles
  • The latest exclusive offers from The Strad and The Strad Shop