All Premium content – Page 11
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Premium ❘ FeatureMasterclass: Brahms Cello Sonata in F major
Cellist Gary Hoffman provides practical tips on interpreting this well-known piece, with reference to the composer’s Third Symphony — and his understanding of the human condition
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Premium ❘ FeatureMaking Matters: Making transitional bows
In 2021 bow maker Markus Laine was commissioned to make 15 transitional bows to be used by a single chamber orchestra. What were the challenges – and what change did it make to the sound?
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Premium ❘ FocusOpinion: Flexibility in orchestral playing
Violinist Alexandra Gorski argues that an orchestra’s greatest asset is not power or accuracy; rather the ability to adapt seamlessly to every style of music and manner of conductor
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Premium ❘ Feature‘His violin still sings in my ears’ - From the Archive: October 1893
The Strad selects some highlights from the memoirs of violinist Charles Dancla (1817–1907), recently published in Paris
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Premium ❘ FeatureMasterclass: Hoffmeister’s Violone Concerto no.1 in E flat major
Double bassist Edicson Ruiz provides help on Hoffmeister’s concerto with Viennese tuning
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Premium ❘ FeatureTechnique: Moving from violin to viola
Australian violist Stephen King outlines tips for making the switch
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Premium ❘ Focus‘Learning to trust yourself is a never-ending process’ - Nils Mönkemeyer’s life lessons
The German violist on finding his confidence and the journey of becoming a soloist
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Premium ❘ FeatureIn Focus: A c.1800 violin by Joseph Panormo
Andrew Fairfax on the UK-based Italian maker’s turn-of-the-century instrument
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Premium ❘ FeatureSession Report: Johan Dalene on recording Neoclassical 20th-century works
The young Swedish violinist Johan Dalene speaks to Tom Stewart about recording his fourth album, a recital of luminous, Neoclassical 20th-century music for violin and piano
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Premium ❘ FeatureMasterclass: Koussevitzky Double Bass Concerto, first movement
Double bass soloist Leon Bosch uncovers the challenges and opportunities of this emotionally powerful piece
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Premium ❘ FeatureTrade Secrets: Making a mould and templates from a poster
A quick, efficient and accurate way of cutting durable templates using one of The Strad’s publications
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Premium ❘ FeatureThe Strad Calendar 2024: The Fulton collection
The Strad Calendar 2024 pays tribute to one of the 20th century’s finest stringed instrument collections, put together in just a couple of decades by American violin collector David L. Fulton. Christian Lloyd examines the treasures
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Premium ❘ FocusPostcard from Germany: Kissinger Sommer festival
A stay in northern Bavaria’s spa town of Bad Kissingen for the Kissinger Sommer festival proved to be a balm for the soul for Laurence Vittes
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Premium ❘ ArticleAnalysis October 2023: Climate change and tonewood
The past summer has seen catastrophic heatwaves strike almost all of Europe. What effect have they had on the forests of spruce and maple that tonewood dealers depend on?
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Premium ❘ Feature‘We want to learn everything’ - Leonkoro Quartet
Formed in 2019, the Leonkoro Quartet burst on to the scene with a string of competition wins and now a debut album. The foursome speak to Peter Somerford about what it takes to succeed as a young string quartet today
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Premium ❘ FeatureMasterclass: Prokofiev’s Violin Concerto no.2 in G minor op.63
Violinist James Ehnes provides his insight into tackling the tricky technical demands of this lyrical masterpiece
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Premium ❘ ArticleOctober 2023: Editor’s welcome and contents
The Strad’s editor Emma Baker introduces the October 2023 issue
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Premium ❘ Article‘Rebecca, you have saved the viola!’ - Letters to the editor: October 2023
A selection of letters The Strad receives each month from its readers around the world: October 2023 issue
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Premium ❘ ArticleProducts October 2023: StopLossBags
The bags hold a variety of liquids for violin making
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Premium ❘ ArticleProducts October 2023: BAM Sky cello case
The case is the company’s lightest for cello