In each case your shift is taking place on the new bow rather than the old bow, which means you're not anticipating the new position.'
Gary Hoffman gives a cello masterclass at the Queen Elisabeth Music Chapel on Tchaikovsky's Pezzo capriccioso, op.62 on 9 May 2016. The cello student is Natania Hoffman.
Read: How to play with a flexible bowing arm by cellist Gary Hoffman
Cellist Lynn Harrell considers challenges and contemporary concepts in the first movement of a sonata conceived entirely in the imagination of a deaf composer. From January 2019
A new Beethoven cycle offers a fulfilling listen
Bruce Hodges enjoys the performance from New York’s Advent Lutheran Church on 1 March 2021
The violinist explores Piazzolla’s musical influences and inspirations in the second of his three-part documentary series
An exclusive first look at a collaborative art film exploring the heightened qualities of perception and memory as enhanced by the liminal space between daylight and darkness, featuring music by Dutilleux
In the first of a three-part documentary series, Tomás Cotik explores Piazzolla’s legacy, ahead of his album release of the composer’s works on 26 April 2024
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