Reviews – Page 4
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ReviewItamar Zorman: Violin Odyssey
Violinistic byways brought to life with élan in this lockdown project
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Christian Ferras: The SWR Recordings
A fitting, if mixed, tribute to one of the great violinists of the 20th century
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Kaleidoscope Chamber Collective: Coleridge-Taylor
Persuasive accounts of this at-times impressive student fare
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Johannes Moser: Alone Together
Multitracking brought to a new level of invention by this thoughtful cellist
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Spectrum Concerts Berlin: Taneyev
Compelling accounts of a Russian Romantic who revered the Classical era
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Simone Lamsma: Lost Landscapes
Persuasive readings conjure the vast vistas of this Finnish magician
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Concert review: Sheku Kanneh-Mason (cello) Isata Kanneh-Mason (piano)
Leah Hollingsworth hears the performance of Beethoven, Shostakovich, Bridge and Britten at the Shriver Hall Concert Series in Baltimore on 1 May 2022
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Peter Sheppard Skærved: Mozart
An impressive partnership brings charm to youthful Mozart sonatas
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Stephen Nachmanovitch: Hermitage of Thrushes
Birdsong reinvented with panache by this American multi-tasker
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Concert review: Henning Kraggerud (violin) Adrian Brendel (cello) Imogen Cooper (piano)
Edward Bhesania visits London’s Queen Elizabeth Hall on 15 May 2022 for the performance of Haydn, Beethoven and Brahms
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Danish Quartet: Prism IV
Typically enterprising programme from one of today’s outstanding quartets
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Concert review: Arabella Steinbacher (violin) Philharmonia Orchestra/Marin Alsop
Tim Homfray hears the performance of Britten’s Violin Concerto at London’s Royal Festival Hall on 19 May 2022
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Concert review: Bruno Delepelaire (cello) Karajan Academy of the Berlin Philharmonic, members of the Berlin Philharmonic/Nodoka Okisawa & Kirill Petrenko
Charlotte Gardner listens to the performance at the Berlin Philharmonie on May 7 2022
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Book review: Antonio & Isaac
Julian Haylock reads Todd Shimoda’s novel imagining what might have happened if Antonio Stradivari had met Sir Isaac Newton
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Book review: The Luthier’s Manual by J.C. Maugin
Andrew Dipper delves into a new translation of the 19th-century treatise by John Saucier, W. Brad Holley and Kate Rickenbacker
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Pierluigi Mencattini: Piani
Problematic tuning and inauthentic instrumentation dog these sonatas
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