Playing
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Premium ❘ FocusSentimental Work: Baiba Skride on Shostakovich’s Violin Concerto no.1
The Latvian violinist grew up with Shostakovich’s Violin Concerto no.1, a work that allows a lot of freedom of expression – as her two recordings amply demonstrate
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Premium ❘ FocusOpinion: Intelligent approaches to the bow in orchestral playing
The default for many orchestral string players is to use as much bow as possible to achieve maximum projection. Violinist Alexandra Gorski argues that a more thoughtful approach is necessary
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Premium ❘ FeatureSession Report: Leon Bosch on recording his album ‘The British Double Bass Sonatina’
Leon Bosch tells Harry White about his new album of double bass sonatinas – seven brand new works that he commissioned from a circle of contemporary British composers
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Premium ❘ ArticleAnalysis June 2025: Newest AI developments in music education
With AI advances almost constantly making headlines in the news, what benefits might it have for the future of music education? By Peter Somerford
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Premium ❘ FeatureFlying the flag for young talent: young artists’ schemes
As the Young Classical Artists Trust celebrates its 40th anniversary, Jessica Duchen hears from artists whose careers have been supported by this and other schemes for emerging talent
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Premium ❘ FeatureStill making waves: the Australian Chamber Orchestra
As the Australian Chamber Orchestra celebrates its 50th anniversary, Michael White speaks to its long-time artistic director Richard Tognetti about its unique place in the musical world
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Premium ❘ FocusPostcard from Svalbard: Arctic Chamber Music Festival
The Arctic Chamber Music Festival takes place in the world’s most northerly town, Longyearbyen. Emma Baker travelled there to sample its unique atmosphere
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Premium ❘ FeatureThe power of three: the string trio
Jacqueline Vanasse explores the unique properties of the string trio, delving into its history and repertoire with the guidance of some of today’s top trio players
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Premium ❘ Focus‘Curiosity is at the core of human nature’ - Roberto Díaz’s life lessons
The US–Chilean violist and director of the Curtis Institute of Music discusses the importance of technique and curiosity
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Premium ❘ Feature‘We hope this unjust penalising of ’cellists will disappear’ - From the archive: May 1925
Not planes but trains: a century ago, cellists were up in arms about railway operators charging extra to allow instruments on board. Pedagogue Carl Fuchs reveals the result of the latest petition
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Premium ❘ FocusSentimental Work: Alina Ibragimova on Schumann’s Violin Sonata no.2
For the Russian–British violinist, Schumann’s Violin Sonata no.2 may be exhausting but rewards listeners with a profound insight into the composer’s deepest soul
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Premium ❘ FeatureSession Report: cellist Zlatomir Fung on recording operatic fantasies for his debut album
For his debut album, US cellist Zlatomir Fung has delved into the world of the operatic fantasy – a relative rarity on the instrument. He speaks to Peter Quantrill about how making the recording has revealed new aspects of his musical personality
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Premium ❘ FeatureGeorge Enescu: a musical polymath
Tully Potter explores the rich and colourful life of George Enescu, the extraordinary Romanian violinist, composer, conductor, pianist and pedagogue, who died 70 years ago
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Premium ❘ FocusOpinion: Becoming a ‘bowist’
Violinist and teacher Alun Thomas explains why, when working on our technique and expression, string players should focus much more attention to the right arm than we might at first imagine
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Premium ❘ ArticleAnalysis May 2025: Dealing with concert cancellations
One of the main problems for venues and promoters is what to do when an artist cancels at the last minute. How can they best appease their audiences? Peter Somerford investigates
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Premium ❘ FocusPostcard from Gateshead: Tertis and Aronowitz International Viola Competitions
Tully Potter attended the 2025 editions of the Tertis and Aronowitz International Viola Competitions – held for the first time under one roof in the north-east of England – and he couldn’t fault the results
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Premium ❘ FeaturePhilippe Quint: a time of change
US violinist Philippe Quint speaks to Rita Fernandes about his deeply personal new album Milestones, which represents a turning point in his career
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Premium ❘ FocusSentimental Work: Frank Peter Zimmermann on Schumann’s Violin Concerto
Although the German violinist came late to Schumann, the Violin Concerto remains one of his repertoire staples – and provides an insight into the composer’s fraught mental state
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Premium ❘ FeatureAdvice from peers: sharing the wisdom
Charlotte Gardner speaks to leading string players who have learnt valuable lessons from their colleagues and contemporaries, demonstrating that such insights are not only passed from teacher to pupil
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Premium ❘ FeatureSession Report: the London Handel Players on recording Telemann’s ‘Paris’ Quartets
As part of its 25th-anniversary celebrations, the London Handel Players has recorded six of Telemann’s ‘Paris’ Quartets. Robin Stowell speaks to two of the ensemble’s members about bringing the dance elements in the music to life
