Lutherie – Page 3
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News
One gold medal awarded at 2024 Cremona Triennale violin making competition
Alessandro Peiretti received the award in the cello category, while Liu Zhaojun, Borja Bernabeu and Michele Dobner all received silver medals
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Focus
The Strad Calendar 2025: 1700 ‘Taft’ Antonio Stradivari violin
Boasting beautiful orange–red varnish, it was formerly played by Emil Heermann, concertmaster of the Cincinnati Symphony Orchestra
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The Strad Calendar 2025: Canada’s crème de la crème
The Strad Calendar 2025 celebrates the work of the Canada Council for the Arts, which has been matching players with fine instruments for 40 years. Christian Lloyd takes a look at the collection’s highlights
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Trade Secrets: Preparing the wood surface before varnishing
Samuel Peguiron shares a method involving a bespoke mixture and wood shavings
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Focus
The Strad Calendar 2025: 1706 ‘Brott-Turner’ David Tecchler cello
The first instrument ever added to the Musical Instrument Bank of the Canada Council for the Arts, it is a masterpiece of the Rome-based luthier’s work
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Video
Video: 15 Guarneri ‘del Gesù’ violins in less than 4 minutes
Highlights from David Garrett’s 2024 ‘Del Gesù’ Club, bringing together fine Guarneri instruments from all over the world
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Blogs
‘Del Gesù’ Club brings together 17 Guarneri violins
Organised by David Garrett, the annual two-day event allows owners and players of Guarneri ‘del Gesù’ violins to play and examine each other’s instruments
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From the land of a hundred violins: Amedeo Simonazzi
The luthier Amedeo Simonazzi was born into a region with a strong native musical tradition – which is almost forgotten today. Stefano Pio reveals how his surroundings influenced his career
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Blogs
Why I only make violas: luthier Gabrielle Kundert
The maker shares why she has dedicated her craft to the viola, as we take a close-up look at her copy of a 1787 Castello viola commissioned by National Symphony Orchestra principal violist Daniel Foster
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Making Matters: Optimising sound spaces for good acoustics
Any luthier’s workshop requires a room or area with good acoustics to assess an instrument’s sound quality. Gideon Baumblatt and Simon Eberl explain how they optimised their sound spaces
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My Space: Olivier Calmeille’s Montpellier workshop
Examine the Atelier Scordatura in the south of France
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Trade Secrets: Purfling and edgework after closing the box
A method that allows for more aesthetic freedom than completing the plates before finishing the soundbox
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In Focus: An 1845 violin by Johann Georg Stauffer
Jakob Nachbargauer and Adrian Elschek examine a mid-century violin by the successful Austrian guitar maker
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Centre of attention: centring and alignment
Inspired by the work of the Cremonese masters, David Folland explains his method for finding the centre line of an old instrument
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Gallery
Photo Gallery: Celebrating Women Luthiers at Sapp Violins
The final instalment of the international exhibit took place from 13 to 19 July 2024
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A unique pairing: the ‘Paderewski, Wendling’ violin
In the first of a two-part article, Balthazar Soulier examines an extraordinary violin that displays the hallmarks of both Guarneri ‘del Gesù’ and Domenico Montagnana
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News
‘Auer, Benvenuti’ Stradivari violin tokenised by digital asset company
A Digital Product Passport has been created with blockchain technology to preserve the violin’s unique provenance, which includes Leopold Auer and Joseph Benvenuti
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News
Violin maker Ansaldo Poggi to be celebrated in new exhibition
One of the most highly regarded Italian luthiers of the 20th century, he was an apprentice of Giuseppe Fiorini
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‘I have been obliged to deprive myself of the copy of my violin’ - Letters to the editor: September 2024
A selection of letters The Strad receives each month from its readers around the world: September 2024 issue
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Blogs
Amati, del Gesù and Gagliano: more beautiful instruments from Music@Menlo
Another impressive spread of historic instruments, played by artists of the 2024 Music@Menlo Summer Festival