Lutherie – Page 12
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Premium ❘ FeatureThe art of Computer Numerical Control arching
Yann Poulain reveals his method for roughing out the arching of the front and back plates using the technology
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Premium ❘ FeatureMicro-CT scanning the 1727 ‘Benvenuti’ Stradivari violin
Rudolf Hopfner, director of the Collection of Historic Musical Instruments in Vienna, explains the process of scanning an instrument, and what the scans of the ‘Benvenuti’ tell us about its construction in this article from December 2016
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Premium ❘ FeaturePerfectly preserved: 1727 ‘Benvenuti’ Stradivari violin
Despite its rich performance history, the 1727 ‘Benvenuti’ Stradivari violin is in an excellent state of preservation. Andrea Zanrè tells its story in our December 2016 issue
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Premium ❘ Feature‘I’m happy to show them around’ - My Space: David Ayache
Visit a 13th-century workshop in the heart of Montpellier, France
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Premium ❘ FeatureIn Focus: A 1939 Simone Fernando Sacconi viola
John Dilworth takes a look at an instrument by the 20th-century luthier
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Premium ❘ FeatureCremonese Varnish: Coats of many colours
Pierre Flavetta reveals the results of his historical research into the colourants and methods available to the luthiers of Stradivari’s day
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Premium ❘ Article‘No way fit to express an opinion’: From the archive: February 1933
Author and luthier Robert Alton rails against ‘The Amateur Violin Expert’ – even reserving a few harsh words for the professional expert as well
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Premium ❘ FeatureIn Focus: A 1953 Giuseppe Ornati violin
Alberto Giordano takes a look at a mid-20th-century Italian violin
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Premium ❘ ArticleAuction Report February 2023: Rarities and English gems
A unique Stradivari viola and a record-breaking Daniel Parker viola were among the highlights of the London sales in October 2022. Kevin MacDonald reports
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Premium ❘ ArticleAnalysis February 2023: Problems with pernambuco
The CITES CoP19 conference brought the pernambuco situation into sharp focus. How can the music community take the issue forward into the future?
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Premium ❘ FeatureIn Focus: an 1859 violin by Nicolas-François Vuillaume
Roland Baumgartner examines a violin representing a free interpretation of the work of Guarneri ‘del Gesù’, by J.B. Vuillaume’s younger brother
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Premium ❘ FocusIn Focus: the 1696 Stradivari ‘Archinto’ viola
John Dilworth praises the archetypal beauty of Stradivari’s ‘Archinto’ viola, a magical example of form and aesthetic
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Premium ❘ Focus‘Cut the Stradivari cord’ - Opinion
Luthier Paris Andrew argues that, rather than copying Antonio Stradivari models, makers should study other beautiful instruments that exist
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Premium ❘ FeatureMaking Matters: How I set up a violin making workshop during the pandemic
Ian McWilliams explains how he set up a summer violin making workshop near the German capital
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Premium ❘ FeatureIn Focus: A c.1776 Domenico Busan viola
Joseph Grubaugh and Sigrun Seifert take a look at a viola from the Italian maker
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Premium ❘ Feature‘Makers have been working blind’ - Cremonese archings
Gareth Ballard presents a detailed method for analysing the various curves of archings
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Premium ❘ FocusAnalysing the 'Titian' Stradivari violin, 1715
In our February 2009 issue, Sam Zygmuntowicz examines one of Stradivari's finest golden period instruments, using both traditional and high-tech methods
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Premium ❘ FeatureCopying the ‘Titian’: A study in scarlet
Jesús Alejandro Torres reports on a study by the Violin Making School of Mexico, in which three copies of Stradivari’s ‘Titian’ violin were made using wood of varying densities
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Premium ❘ Feature‘We’ve actually outgrown the space’ - My Space: James Hanson
Take a look inside the Beautiful Music Violin Shop in Lawrence, Kansas, US
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Premium ❘ FeatureIn Focus: A 1751 G.B. Guadagnini violin
Stewart Pollens examines a violin that was formerly owned by Adolph Brodsky
