Chop and change: 60 years of the chop technique

Darol and Tracy 90s pc Irene Young.

As the chop technique turns 60, Rita Fernandes tracks its evolution and the recent development of its notation in interviews with leading practitioners – as well as learning the technique herself

‘Featuring the Billy Taylor Trio and other guests.’ This is written on the vibrant cover of the Turtle Island Quartet’s 1991 album On the Town. Like many jazz tracks, the tunes are often driven by the crisp, steely backbeat of a guitar. But the Billy Taylor Trio doesn’t include one, so it must be one of these mysterious ‘other guests’. On the other hand, the rhythmic jungle that is US fiddler Casey Driessen’s Tanuki Attack defies genre altogether. You are simply left wondering what kind of niche percussion instrument is being played. But it isn’t percussion at all. In fact, in both cases, these sounds are created by violinists using a technique called the ‘chop’…

Already subscribed? Please sign in

Subscribe to continue reading…

We’re delighted that you are enjoying our website. For a limited period, you can try an online subscription to The Strad completely free of charge.

  • Free 7-day trial

    Not sure about subscribing? Sign up now to read this article in full and you’ll also receive unlimited access to premium online content, including the digital edition and online archive for 7 days.

    No strings attached – we won’t ask for your card details

  • Subscribe 

    No more paywalls. To enjoy the best in-depth features and analysis from The Strad’s latest and past issues, upgrade to a subscription now. You’ll also enjoy regular issues and special supplements* and access to an online archive of issues back to 2010.

 

* Issues and supplements are available as both print and digital editions. Online subscribers will only receive access to the digital versions.