Lutherie – Page 10
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Trade Secrets: Making a scroll cast using foam
An efficient method of casting a scroll that eliminates the need for silicone rubber
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‘The scent of fraud hangs about him’ - The Brothers Abell: Secrets and Lies
Follow the lives of two brothers embroiled scandals, lies and violins
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‘There are several spirits that occupy the hotel’ - My Space: Huthmaker Family
The violin-making family takes us on a tour of their Atlanta, GA, workshop
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‘This might be the smallest workshop ever featured in The Strad’ - My Space: Ilja Grawert
A look at the luthier’s travelling workshop near the Australian Whitsunday Islands
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The Viennese double bass: The long pattern
In the 18th and 19th centuries, double basses made in Vienna had distinctive shapes and characteristics that gave them tremendous sound quality.
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Trade Secrets: A ‘plug and plate’ repair for a double bass neck
A detailed alternative method for a difficult neck and pegbox repair
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In Focus: A c.1900 violin by Raffo Cipriani
Ernst Fuchs looks at the Italian maker’s late-period instrument
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Making Matters: Artistic licence and the ‘true violin’
Is our understanding of violin history too heavily influenced by the old Italians?
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Trade Secrets: Making a cello and bass mould
A lightweight design for an adaptable method of working
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Analysis October 2022: ‘Russia has control over the Siberian bow hair and isn’t moving much out’
Everything from Covid-19 to the ongoing situation in Russia has created a perfect storm for suppliers of good violin bow hair
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Trade Secrets: Gluing the C-bouts using a Cremonese mould
An alternative method for this part of the process, which may be more authentic than the standard procedure
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Straight lines within the arches of Stradivaris and Guarneris - Making Matters: Straight talking
Andrew Ryan investigates the presence of regular straight lines within the arches of the top and back in the instruments of Stradivari and Guarneri ‘del Gesù’
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International lutherie schools: All round learning
Peter Somerford speaks to teachers from seven violin making schools to find out the options for young aspiring luthiers
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‘The building was a lampshade factory and still retains its industrial character’ - My Space: Mechthild Ossenbrunner
The luthier takes us on a tour of her and her husband’s Cologne workshop
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In Focus: A 1932 tenor viola by Jacint Pinto
Jordi Pinto examines an unusual tenor viola made by his own great-uncle, Jacint Pinto
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Newark School of Violin Making: Fifty years young
The Strad looks back on 50 years of the UK’s best-known institution for lutherie and the many well-known names who have passed through its doors as students
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The hidden treasures of Pietro Guarneri of Mantua
Pietro Guarneri of Mantua was an undisputed master luthier, even though very few examples of his work remain. Andrea Zanrè examines three ‘violettas’ that until now have been overlooked
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‘Centuries ago, Stradivari had no idea ivory would be subject to legal issues’: Letters to the editor September 2022
A selection of letters The Strad receives each month from its readers around the world: September 2022 issue
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Trade Secrets: Making a Baroque cello bridge
A method that allows the luthier to create their own design rather than rely on a pre-cut template
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Making Matters: How six bow makers crafted a bow in three days
Making a bow in three days is a tall order for anyone – but for six bow makers together? Pierre Nehr explains how April’s ‘Bow Rush’ event in Paris became an educational experience for all concerned