Lutherie – Page 3
-
Premium ❘ Feature
Merchants of Venice: Venetian lutherie
In the 16th century, the Republic of Venice was a hotbed of innovation for stringed instrument makers – and the members of the Linarol family were at the heart of the trade. Stefano Pio explores the archives to reveal their fascinating and often colourful lives and careers
-
Premium ❘ Feature
Trade Secrets: Making a wooden peg shaper
A method for creating a model with an interchangeable blade
-
Premium ❘ Feature
My Space: Yam Uri Raz’s Hawai’i workshop
The maker shows us around his shop in the city of Hilo
-
Premium ❘ Feature
In Focus: A c.1740 viola by Johann Christian Hoffmann
Alex Krieger examines a viola by one of the best-known German luthiers
-
Premium ❘ Feature
Making Matters: A violin made by ten luthiers
Over the course of a year, ten luthiers in nine countries made a violin together, sending each other the parts by mail. Christian Lloyd reports on the unique project ‘Violinabox’
-
Premium ❘ Feature
In the zone: a one-person double bass repair method
For luthiers working alone, double bass repair can be a difficult task to take on. US bass maker Nick Lloyd presents his ‘Zone method’ for re-gluing a bass top using just one pair of hands
-
Premium ❘ Feature
Like father, like daughter: the Giorgis family of violin makers
New research in the Turin archives has uncovered fascinating insights into the life of the violin maker Nicola Giorgis. Claudio Amighetti reveals why Giorgis’s daughter Francesca Maria took over his workshop upon his death in 1745
-
Premium ❘ Feature
My Space: Corvus Kwok’s Hong Kong workshop
The luthier takes us on a tour of his shop in Kowloon, Hong Kong
-
Premium ❘ Feature
Making Matters: Testing an instrument’s sound using weight ratios
In contrast to the normal practice of using tap tones to determine an instrument’s sound, Veikko Jaatinen presents a method based on the weight ratios of a violin’s various parts
-
Premium ❘ Feature
In Focus: A c.1750 violin by Michele Deconet
Peter Koerner examines the French maker’s mid-century instrument
-
Premium ❘ Feature
The Strad Calendar 2025: Canada’s crème de la crème
The Strad Calendar 2025 celebrates the work of the Canada Council for the Arts, which has been matching players with fine instruments for 40 years. Christian Lloyd takes a look at the collection’s highlights
-
Premium ❘ Feature
Trade Secrets: Preparing the wood surface before varnishing
Samuel Peguiron shares a method involving a bespoke mixture and wood shavings
-
Premium ❘ Feature
From the land of a hundred violins: Amedeo Simonazzi
The luthier Amedeo Simonazzi was born into a region with a strong native musical tradition – which is almost forgotten today. Stefano Pio reveals how his surroundings influenced his career
-
Premium ❘ Feature
Making Matters: Optimising sound spaces for good acoustics
Any luthier’s workshop requires a room or area with good acoustics to assess an instrument’s sound quality. Gideon Baumblatt and Simon Eberl explain how they optimised their sound spaces
-
Premium ❘ Feature
My Space: Olivier Calmeille’s Montpellier workshop
Examine the Atelier Scordatura in the south of France
-
Premium ❘ Feature
Trade Secrets: Purfling and edgework after closing the box
A method that allows for more aesthetic freedom than completing the plates before finishing the soundbox
-
Premium ❘ Feature
In Focus: An 1845 violin by Johann Georg Stauffer
Jakob Nachbargauer and Adrian Elschek examine a mid-century violin by the successful Austrian guitar maker
-
Premium ❘ Feature
Centre of attention: centring and alignment
Inspired by the work of the Cremonese masters, David Folland explains his method for finding the centre line of an old instrument
-
Premium ❘ Feature
A unique pairing: the ‘Paderewski, Wendling’ violin
In the first of a two-part article, Balthazar Soulier examines an extraordinary violin that displays the hallmarks of both Guarneri ‘del Gesù’ and Domenico Montagnana
-
Premium ❘ Article
‘I have been obliged to deprive myself of the copy of my violin’ - Letters to the editor: September 2024
A selection of letters The Strad receives each month from its readers around the world: September 2024 issue