• Johan Dalene conductor Daniel Blendulf and producer Jens U. Braun

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    Session Report: Violinist Johan Dalene makes his recording debut

    2020-02-05T09:50:00+00:00

    For his debut album as an exclusive BIS artist, Johan Dalene – teenage winner of last year’s Carl Nielsen International Competition – has not shied away from ambitious and much-loved repertoire. He and producer Jens U. Braun recall the recording process 

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    Masterclass: Moray Welsh on Schubert’s Arpeggione Sonata first movement

    2020-01-22T04:34:00+00:00

    Moray Welsh looks at the cello version of the first movement, whose successful execution requires boundless musicality, lyricism and technical finesse

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    From the Archive: February 1930

    2020-01-22T02:13:00+00:00

    In his regular ‘Continental Happenings’ column, the acerbic George Cecil rounds up some of the more unusual string-related news and performances around Europe

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    Making Sense Of The Senseless: Leila Josefowicz on B. A. Zimmermann’s violin concerto

    2020-01-16T13:28:00+00:00

    As Leila Josefowicz explains, the unexpected twists and turns of B. A. Zimmermann’s Violin Concerto make it a rollercoaster worth riding. Tom Stewart finds out more

  • Beethoven Around the World - film stills - 025

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    Ébène Quartet: The Freedom of Instability

    2020-01-09T12:00:00+00:00

    Currently making international appearances to mark Beethoven’s 250th birthday as well as celebrating 20 years since its foundation, the Ébène Quartet is riding high now that violist Marie Chilemme has become an established member. But, the players tell Charlotte Gardner, replacing former violist Mathieu Herzog was no easy matter following ...

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    Jerry Horner: A Virtuoso Teacher

    2020-01-09T10:00:00+00:00

    In February last year, former Fine Arts Quartet violist Jerry Horner died at the age of 83. China Conservatory of Music violin professor and past Horner student James Dickenson reflects on the career and teaching legacy of a fine mentor, drawing on interviews with Horner’s students and colleagues, and with ...

  • AFCM14.1101_copyright Andrew Rankin

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    Retirement from Performance: A Change of Pace

    2020-01-09T08:00:00+00:00

    Is there a time when we should admit defeat, acknowledge our age and put our instruments away for good? Or is it possible to keep enjoying, playing and sharing music forever? Pauline Harding talks to musicians young and old about falling standards, failing physiques and a joy of playing music ...

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    Sentimental work: Rivka Golani on Michael Colgrass’ Chaconne

    2020-01-07T11:34:00+00:00

    As well as giving the first performance of Michael Colgrass’s Chaconne, the Israeli violist provided the initial spark of inspiration – with the help of her own paintings

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    New possibilities

    2019-12-31T10:44:00+00:00

    From Baroque to electronics, Pekka Kuusisto can’t stop exploring new possibilities. PETER SOMERFORD finds out how the Finnish violinist’s perspective on music has evolved

  • Glass Fain photo Brian Hall

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    Track changes

    2019-12-30T16:11:00+00:00

    Following the emergence of minimalist music in 1960s America, some of the style’s most enduring works have been written for strings, among them Steve Reich’s Different Trains. Pwyll ap Sion finds out how performers overcome the technical and psychological challenges of playing this music

  • Carducci Quartet Photo Tom Barnes

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    Seeing the light

    2019-12-29T13:24:00+00:00

    This August the musicians of the Carducci Quartet will take on one of the great quartet challenges when they mark 40 years since Shostakovich’s death by performing his complete quartet cycle in a single day. They share their reasons for doing so with Chloe Cutts

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    My favourite things

    2019-12-27T12:14:00+00:00

    Norwegian cellist TRULS MØRK reveals the figures, instruments and recording that mean the most to him

  • Christophe Coin main picture

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    ‘I’ve always been led by music’

    2019-12-26T14:03:00+00:00

    For Christophe Coin, the French cellist, gambist and musical time-traveller, historically informed performance practice involves a combination of forensic-level investigation and leap-of-faith creativity. In conversation with Helen Wallace, he describes the instruments and scholarship behind his work as an interpreter

  • Rachel Podger

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    ‘You have to give yourself over to this painful journey’

    2019-12-26T13:07:00+00:00

    Complex, knotty, cryptic – the treacherous elements of Biber’s Rosary Sonatas are a rite of passage for Baroque violinists and their instruments alike. Rachel Podger, who joins a long list of early music specialists to record the work, talks to Philip Clark about how she and her violin survived the ...

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    Masterclass: Leila Josefowicz on Berg Violin Concerto Second Movement - part 2

    2019-12-17T04:30:00+00:00By

    In the second of two articles, Leila Josefowicz discusses the Adagio of the second movement, in the context of the Viennese School and the Neue Sachlichkeit era

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    From the Archive: January 1900

    2019-12-17T02:55:00+00:00

    An unsolved mystery from 1869: T.L. Phipson relates how a c.1709 Stradivari violin vanished without trace – and as far as we know, remains missing to this day

  • Menuhin May 2016 issue

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    Three Lives in One

    2019-12-09T12:36:00+00:00

    Yehudi Menuhin’s extraordinarily multifaceted life and career more than surpassed the traditional role of the solo concert violinist. Here friends, family and colleagues who knew him, studied with him and worked alongside him describe their association with and memories of the great man

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    Expanding the limits

    2019-12-06T12:00:00+00:00

    Georgian violinist Lisa Batiashvili has recently taken on new challenges, among them artistic directorship of the Audi Summer Concerts festival and performing on the soundtrack to The White Crow. But, she tells Toby Deller, she finds equal joy in creating wonderful interpretations from long-term partnerships

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    Growing pains

    2019-12-06T10:00:00+00:00

    Violinist and Ohio State University professor of music education Bob Gillespie has taught countless teenage string players. Here he explores adolescent character traits, and shares with teachers his valuable guide to dealing with adolescent moods and logic

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    The Score: Friend or Foe?

    2019-12-06T08:00:00+00:00

    The multiple editions of a piece can confuse a musician. Should we always work from an urtext edition in an attempt to access the composer’s most authentic voice? Or can edited versions with interpretative markings be helpful? Cellist Pedro de Alcantara guides us through this minefield

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    Invitation to the Dance: Bach’s Cello Suites

    2019-12-03T12:54:00+00:00

    A knowledge of French Baroque dance can open up new ways of approaching and performing Bach’s Cello Suites, argues cellist Ulrich Heinen. In this practical guide, he highlights the many steps and gestures evoked in the works.

  • December 1909 cover

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    From the Archive: December 1909

    2019-11-14T15:30:00+00:00

    The pseudonymous ‘L.H.W.’ gives his thoughts on teaching, in an article he might himself call ‘profuse and extravagant in expression’

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    Leila Josefowicz on Berg Violin Concerto Second Movement - part 1

    2019-11-13T14:23:00+00:00By

    ln the first of two articles, Leila Josefowicz explores ideas of feverishness, hallucination, death and resurrection in the second movement of a great 20th-century concerto

  • Michelle Dockery stars as Lady Mary Talbot and Matthew Goode as Henry Talbot in Downton Abbey 1 cr Jaap Buitendijk - 2019 Focus Features, LLC

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    Lights, Camera, Action

    2019-11-13T11:39:00+00:00

    As the founder of Music in Vision, Kathleen Ross has built a business from supplying professional musicians for on-camera roles. Introducing instrumentalists to the world of film and TV can be challenging, but, she writes, ensuring that musicians in background parts are convincingly portrayed is well worth the effort

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    A Treasury of Sound

    2019-10-31T09:20:00+00:00

    The Royal Danish Orchestra has been adding to its collection of fine stringed instruments for centuries – but there is revolution as well as evolution behind its distinctive string sound, which is unmistakable whatever the repertoire and whoever the conductor, finds Andrew Mellor

  • 249 (hi-res) J York & R Wallfisch Mar2013 (c) B Ealovega

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    Into the Light

    2019-10-31T09:10:00+00:00

    Why it took nearly a century for an important, beautiful concert piece for cello and piano from a 20th-century female composer to be published is incomprehensible. We can certainly blame contemporaneous sexist attitudes towards women, but was there also something more personal here?

  • 190607_MCG19-4_courtesy ed DeArmitt-Pittsburgh SYmphony Orchestra_HeinzHallPittsburgh

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    A Conductor’s Tale

    2019-10-31T09:00:00+00:00

    Music director Manfred Honeck has brought a distinctly European flavour to the Pittsburgh Symphony. Gavin Dixon spoke to him at his summer festival in Wolfegg, Germany, as he prepared to embark on a tour of Europe with his Pittsburgh forces – and discovered how his time as a violist in ...

  • Repeat_Practice

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    Is repetitive practice a good or a bad thing?

    2019-10-29T16:51:00+00:00

    A prolonged, sickening and monotonous repetition of a section of music or the legitimate means of mastering a difficult passage? Joseph O'Doherty weighs up the two sides.

  • Juritz1

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    Violinist David Juritz on overcoming a painful shoulder injury

    2019-10-22T15:07:00+01:00

    The London-based instrumentalist was helped by physiotherapy and Pilates

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    Masterclass: Nils Mönkemeyer on Stamitz First Viola Concerto

    2019-10-15T04:57:00+01:00By

    The German violist looks at how to tackle the challenges in the first movement of this important audition piece with style, panache and calm

  • Screen Shot 2019-10-03 at 15.32.09

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    From the Archive: November 1929

    2019-10-15T02:30:00+01:00

    Marie Hall, seen here with her 1709 Stradivari, speaks exclusively to The Strad following a successful tour of South Africa

  • Breathing

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    Harnessing breathing to improve your string playing

    2019-10-04T14:39:00+01:00

    Breathing naturally is one of the first principles of Alexander teaching - and it's a must for anyone who suffers from stage fright, says Joseph Sanders

  • Tailpiece11

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    Ask the Experts: choosing a new violin tailpiece

    2019-10-03T12:00:00+01:00

    A violinist asks what he should consider when choosing a new tailpiece – from the material used to the weight and shape

  • Stage fright

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    7 techniques to combat stage fright

    2019-09-27T14:19:00+01:00

    How often has a potential performance of a lifetime turned into a performance from hell? Are you suffering from stage fright? Laurinel Owen gives advice on overcoming this common affliction

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    Turning Over a New Leaf

    2019-09-27T13:00:00+01:00

    Since her professional debut almost 30 years ago, Sarah Chang has maintained a glittering solo performing and recording career. But, as she tells Charlotte Smith, her more recent desire to take on ‘passion projects’ has led to fulfilling chamber and contemporary collaborations

  • Schneider conducts rehearsal 1969 NYSOS

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    Bright Young Things

    2019-09-27T12:51:00+01:00

    The New York String Orchestra Seminar, one of America’s first orchestral training programmes for young musicians, celebrated its 50th anniversary in December 2018. Bruce Hodges attended rehearsals and concerts of the landmark season, and looks ahead to the ensemble’s December 2019 edition

  • Velásquez©NationalLibraryofBrazil

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    Defining a Nation

    2019-09-27T12:22:00+01:00

    For many classical enthusiasts Brazilian music can be summed up in the folk-inspired compositions of Villa-Lobos. Naxos’s multivolume series The Music of Brazil is set to broaden awareness, beginning with several 19th- and 20th-century composers whose string and orchestral works at once mirrored and defied their country’s colonial history, writes ...

  • FredRiddle

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    Frederick Riddle: modest master of the viola

    2019-09-26T11:00:00+01:00

    The great British viola player was undeservedly overshadowed by Lionel Tertis and William Primrose, writes Tully Potter

  • John Georgiadis LSO

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    Leadership and diplomacy: how to be a good orchestral concertmaster

    2019-09-24T16:47:00+01:00

    Former concertmaster John Georgiadis tells Julian Haylock his memories of the London Symphony Orchestra

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