All Premium ❘ Feature articles – Page 8
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Premium ❘ FeatureAlma Moodie: From Praise to Obscurity
Australian-born violinist Alma Moodie was a celebrated performer in her day – a protégée of Carl Flesch who collaborated with many leading composers. However, her contribution to the violin canon has been largely forgotten, writes Tatjana Goldberg
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Vihuela de Arco: Unlocking the secrets of the past
A popular instrument of the Middle Ages, the vihuela de arco is only known today from contemporary references and pictures. Javier Martínez explains its significance in the history of bowed instruments, and debunks some of the myths surrounding it
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Trade Secrets: Designing a bridge for a violin with distorted arching
A solution to a common problem in antique instruments
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Making Matters: In praise of cypress
The wood of the cypress tree can seem like an unusual alternative for spruce, but both its figure and relative density make it a desirable option. Alan Beavitt explains why he has used it for several instruments
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Masterclass: Tai Murray on Beethoven’s ‘Triple’ Concerto Part 1
In the first of two articles, violinist Tai Murray discusses individuality, balance and tempo in the lengthy first movement of the op.56 concerto for piano, cello and violin
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Technique: Swing bowing
How to inject new rhythmic fluency and flexibility into your playing by working on jazz
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From the Archive: July 1920
In response to readers’ letters, violin pedagogue Alvin C. White tackles the difficult subject of when – if ever – someone might become too old to learn the violin
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In Focus: A c.1930 violin by Annibalotto Fagnola
Philip Brown examines an instrument by the Turin violin maker
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Trade Secrets: Lengthening a violin neck
An alternative to performing a neck graft, without the need for making a replacement
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Making Matters: Pearls of wisdom
One of the most mysterious parts of bow making is the production of mother-of-pearl slides and eyes. John Matthews provides a guide to the process, and explains why ormer is the best shell to use
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Masterclass: Henri Demarquette on Franck’s Violin Sonata (Cello Version)
The cellist looks at the conflicts of French atmosphere and German Romanticism in the first and second movements
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Technique: Scales for violists
A system specifically for the viola, which has not been adapted from violin alternatives
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From the Archive: June 1910
An anonymous reader remonstrates with The Strad for characterising Marie Hall (below) as the first female violinist of the modern era
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Shoulder Rests: The Ideal Fit
Freelance violists Edmund Riddle and Kathi Von Colson join The Strad ’s editor Charlotte Smith and contributing editor Pauline Harding to test a range of shoulder rests – and discover enormous differences in weight, balance and comfort
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Unvarnished Instruments: Team Building
For luthiers, finely sourced white instruments may well be the perfect accessory – offering the double opportunity for varnishing practice and to sell less expensive models to students and those with shallower pockets. But, writes Peter Somerford, the issues of provenance and labelling are of utmost importance when marketing such ...
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Napoleonic Bows: French Connections
Several violin, viola and cello bows still survive from the Imperial Court Orchestra of Napoleon III. Gennady Filimonov examines their history, and provides evidence that the so-called ‘Napoleonic-type bows’ originated with the first Emperor rather than the third
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Sarasate Letters: Beloved Mother
During a two-year concert tour of America, violinist Pablo Sarasate corresponded with his adoptive mother Amélie de Lassabathie in Paris. His surviving letters have been translated for the first time into English by Nicholas Sackman and Bastien Terraz, who present a digest of their contents
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