All Premium ❘ Feature articles – Page 4

  • 1983_2000_MR_PSOA_FAQ_4
    Premium ❘ Feature

    Jerry Horner: A Virtuoso Teacher

    2020-01-09T10:00:00Z

    In February last year, former Fine Arts Quartet violist Jerry Horner died at the age of 83. China Conservatory of Music violin professor and past Horner student James Dickenson reflects on the career and teaching legacy of a fine mentor, drawing on interviews with Horner’s students and colleagues, and ...

  • Plan de Paris
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    Michel Collichon: The Magnificent Ten

    2020-01-09T09:00:00Z

    Just a handful of instruments by Michel Collichon have survived to the present day – but they demonstrate the skill and techniques of a master innovator. With a tenth example recently identified, Shem Mackey explains the appeal of the 17th-century viol maker to modern-day luthiers

  • AFCM14.1101_copyright Andrew Rankin
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    Retirement from Performance: A Change of Pace

    2020-01-09T08:00:00Z

    Is there a time when we should admit defeat, acknowledge our age and put our instruments away for good? Or is it possible to keep enjoying, playing and sharing music forever? Pauline Harding talks to musicians young and old about falling standards, failing physiques and a joy of playing music ...

  • staar 1
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    Alfred Staar: sound master

    2020-01-07T17:51:00Z

    As a leading proponent of the Viennese sound, Alfred Staar’s influence continues to be felt today – no fewer than 22 of his former students currently hold posts in the Vienna Philharmonic. Inga Brandini shares a conversation with the great professor from 15 March 2000, shortly before his death a ...

  • stainer 1
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    Jacob Stainer: reviewing the situation

    2020-01-07T16:25:00Z

    It has long been assumed that Jacob Stainer received some training in Cremona – but the theory rests on slim evidence. Rudolf Hopfner explores a middle-period violin using micro-CT technology to cast doubt on what we think we knowWolfgang Schneiderhan

  • hadelich 3
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    Augustin Hadelich: brilliant concepts

    2020-01-07T15:05:00Z

    Since winning the Indianapolis Competition in 2006, violinist Augustin Hadelich has built a reputation for musically astute interpretations in wide-ranging repertoire, much of it written in the 20th and 21st centuries. He speaks to Chloe Cutts about his latest recording – an unusual pairing of Brahms and Ligeti

  • yoga tadasana
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    Yoga and string playing: …And breathe…

    2020-01-06T17:01:00Z

    There is a close connection between yogic principles and string playing technique, says cellist Ruth Phillips, who illustrates this with postures chosen in collaboration with her colleague Jane Fenton, and reveals how both Pablo Casals and yoga guru Vanda Scaravelli have informed her musical ideas

  • arvedi
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    Varnish analysis: shining examples

    2020-01-06T16:21:00Z

    Identifying the varnish recipes of the early makers has been a long-held dream among researchers. Now, a team at the Arvedi Laboratory of Non-Invasive Diagnostics, headed by Marco Malagodi, has used a new form of micro-CT scanning to delve further into an instrument’s coatings than ever before

  • trio con brio
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    Session report: zooming in on Beethoven

    2020-01-06T15:52:00Z

    Trio con Brio Copenhagen is marking its 20th anniversary by recording the complete Beethoven piano trios. Andrew Mellor attends a session for the group’s third volume, including the monumental ‘Archduke’

  • Gluzman
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    Standing Strong: Shostakovich’s violin works

    2020-01-06T15:36:00Z

    Fifty years ago David Oistrakh premiered Shostakovich’s Violin Sonata, written for the violinist’s 60th birthday. Only two further works by Shostakovich for solo violinist survive: the concertos, both for Oistrakh. Andrew Morris examines all three pieces, uncovering their interpretative challenges in conversation with Gidon Kremer, Julia Fischer and Vadim Gluzman ...

  • Stradivari moulds Table 3
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    Stradivari’s moulds: Variations on a theme

    2020-01-06T14:15:00Z

    Twelve violin moulds from Antonio Stradivari’s workshop still survive, but how do they correspond to the master’s oeuvre? In the first of two articles,Philip Ihle and Andrea Zanrè present the results of an exhaustive survey to match forms to finished instruments

  • Corners fig 7
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    Stradivari’s corners: Music of the spheres

    2020-01-06T13:58:00Z

    The publication of high-accuracy violin photography has opened up new possibilities for researching Cremonese masterpieces up close and en masse. Philip Ihle examines Antonio Stradivari’s purfling corners across 136 examples and reveals their relationship with the luthier’s forms

  • Shanghai Quartet 2 CROP
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    Shanghai Quartet: Musical Emissaries

    2020-01-06T11:31:00Z

    The Shanghai Quartet celebrates its 35th anniversary during the 2018–19 season by performing eight complete Beethoven cycles around the world. The players speak to Charlotte Smith about forming at a time when Western chamber music was barely understood in their native China, and about promoting the art form to Chinese ...

  • Nelli performing in Moscow
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    Nelli Shkolnikova’s principles of violin technique

    2020-01-05T15:37:00Z

    The great Russian violinist and pedagogue died early in 2010. Curt Thompson, one of her former students, looks back on her life and examines her teaching methods

  • Greiner in workshop
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    Stefan-Peter Greiner on individuality in violin making

    2020-01-03T14:20:00Z

    For Stefan-Peter Greiner, instrument making is not about copying; it’s about individuality, experimentation and intuition. In conversation with Pauline Harding, the German luthier discusses his ideas on sound adjustment, ‘Stradivari frequencies’ and creating the ideal working environment

  • Kuusisto with flamenco dancer
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    New possibilities

    2019-12-31T10:44:00Z

    From Baroque to electronics, Pekka Kuusisto can’t stop exploring new possibilities. PETER SOMERFORD finds out how the Finnish violinist’s perspective on music has evolved

  • Glass Fain photo Brian Hall
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    Track changes

    2019-12-30T16:11:00Z

    Following the emergence of minimalist music in 1960s America, some of the style’s most enduring works have been written for strings, among them Steve Reich’s Different Trains. Pwyll ap Sion finds out how performers overcome the technical and psychological challenges of playing this music

  • Carducci Quartet Photo Tom Barnes
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    Seeing the light

    2019-12-29T13:24:00Z

    This August the musicians of the Carducci Quartet will take on one of the great quartet challenges when they mark 40 years since Shostakovich’s death by performing his complete quartet cycle in a single day. They share their reasons for doing so with Chloe Cutts

  • Christophe Coin main picture
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    ‘I’ve always been led by music’

    2019-12-26T14:03:00Z

    For Christophe Coin, the French cellist, gambist and musical time-traveller, historically informed performance practice involves a combination of forensic-level investigation and leap-of-faith creativity. In conversation with Helen Wallace, he describes the instruments and scholarship behind his work as an interpreter

  • Rachel Podger
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    ‘You have to give yourself over to this painful journey’

    2019-12-26T13:07:00Z

    Complex, knotty, cryptic – the treacherous elements of Biber’s Rosary Sonatas are a rite of passage for Baroque violinists and their instruments alike. Rachel Podger, who joins a long list of early music specialists to record the work, talks to Philip Clark about how she and her violin survived the ...