All Premium ❘ Feature articles – Page 2
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Premium ❘ Feature7 things to remember when buying a bow
Bows, for so long seen as mere accessories, are increasingly attracting serious investors, writes Femke Colborne
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Double bassist Peter Buckoke on treating head and neck pain
The Royal College of Music professor found a solution in Alexander technique
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London Symphony Orchestra violinist Lennox Mackenzie on treating a shoulder injury
A delay in getting an accurate diagnosis only exacerbated the violinist’s shoulder problem
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A Human Heart
To mark the centenary of the completion and premiere of Elgar’s Cello Concerto, cellist Raphael Wallfisch reflects upon the period and circumstances surrounding the work’s creation and subsequent life
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Elgar Cello Concerto: The classic interpretation
Jacqueline du Pré’s 1965 recording of Elgar’s Cello Concerto set the benchmark for every cellist who followed her. Tully Potter explores the enduring popularity of her powerful and iconic performance
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Ask the Experts: how to fix a wobbling bow frog
A reader asks what should be done when a bow frog wobbles after a rehair – and what does it say about the rehairer? Two makers give their views
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The Fab Four
At this year’s Suntory Hall Chamber Music Garden festival in Tokyo the Kuss Quartet performed a complete Beethoven cycle on the ‘Paganini’ quartet of Stradivaris, on loan from the Nippon Music Foundation. Gavin Dixon spoke to the players about this very special project – and learnt a little more about ...
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A Master Copyist
Gaetano Sgarabotto was renowned for making replicas of old Italian instruments – and left numerous records of his research on their makers’ styles. Focusing on his replica scrolls, Andrea Zanrè examines the secrets of Sgarabotto’s success
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Raphael Wallfisch on finding the right cello position
The British artist tells Laurinel Owen why he plays with a long endpin and its effect on technique and sound production
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Taste the Difference
Burgundy’s Musique Vin festival has quickly grown from its humble origins to encompass a rich diversity of elements, not least first-rate performances from international artists and an instrument loan scheme for young musicians. Charlotte Gardner spoke to those involved in this unique project
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All Set up and Ready to Go
In the first of two articles looking at instrument set-up, Joseph Curtin examines the acoustic roles played by the tailpiece and fingerboard in affecting vibration, frequency and resonance
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From the Archive: the difficulties of playing in tune
The Strad writer E. Polonaski bemoans the number of string players with suspect intonation in our March 1893 issue
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Violinist Reinhard Goebel on adapting to focal dystonia
The condition forced the musician and early music specialist to make a radical career change - he is now a conductor
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Quick exercises to improve string playing technique
Bruno Giuranna, Mimi Zweig, Bonnie Hampton and Boris Kuschnir reveal their secret teaching weapons
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The 4 stages of memorising music for performance
With the right concepts and skills, any musician can successfully learn music by heart, as Gerald Klickstein explains
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Violist Roger Chase on studying with Bernard Shore
Lessons with Shore at the Royal College of Music in London emphasised enjoyment and gave valuable technical insights, remembers the Chicago College of Performing Arts professor
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Ask the Experts: how to correct a violin bridge position
Three top luthiers answers a reader's query on preserving the correct instrument geometry after changing strings
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Trade Secrets: Asymmetric neck shaping
A method that allows for deviation from the standard neck outline, for the comfort of the individual player
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6 tips for launching a music career after graduation
As hundreds of young string players leave college in a few months, music careers expert Angela Myles Beeching hands on advice for life after graduation
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Why historic recordings deserve more air time
Broadcasters routinely neglect and patronise historic recordings made by some of the greatest-ever string players, in favour of modern ones. They're failing in their duties, according to Tully Potter
